Literature as Worldly Action

Q3 Arts and Humanities
Matatu Pub Date : 2023-12-05 DOI:10.1163/18757421-05402005
Alessandra Di Pietro
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引用次数: 0

Abstract

This paper aims to demonstrate how the various declinations of public and private dissent represented in a contemporary work of African literature, The Death of Vivek Oji (2020) by Akwaeke Emezi, can be read as an instance of literature’s world-making capacity. As the novel’s title anticipates, The Death of Vivek Oji reconstructs the life of its eponymous protagonist and the events that led to their death (Vivek is a non-binary, transgender person and both male and female pronouns are used to refer to them). Emezi’s novel is set in Nigeria during the late 1990s and the narrative actively engages in a representation of the socio-political situation of the country back then, covering the impact that the sudden death of the head of state, Sani Abacha, had on the population. Throughout the novel, dissent is depicted on two levels: on the one hand, it appears as an expression of democratic desire through the public protests against the country’s politics, as well as acts of violence against and among ethno-religious groups; on the other hand, there is also a parallel representation of private dissent in terms of the affirmation of one’s own identity. Vivek’s decision to not cut their long hair becomes, therefore, a form of personal opposition against society’s pre-imposed gendered constructs. In this sense, if the social stigma attached to members of the LGBT community is personified by the incapacity of Vivek’s parents to accept and understand their non-binary child, Vivek’s friends represent a communal act of resistance against such an oppressive social system. Ultimately, the opposition between public and private dissent finds its climax in Vivek’s death, in its causes and consequences. Building the critical analysis of the novel upon recent conceptualisations of literature as an active force that provokes dissent (Cheah 2016, Burns 2019), this paper demonstrates how Emezi’s narrative uses representations of public and private dissent to contest the current world in order to engage in the construction of a more equal one.
作为世俗行动的文学
本文旨在展示Akwaeke Emezi的当代非洲文学作品《Vivek Oji之死》(2020)中所代表的公共和私人异议的各种衰落,如何被视为文学创造世界能力的一个例子。正如小说的标题所预料的那样,《维韦克·Oji之死》重构了同名主人公的生活,以及导致他们死亡的事件(维韦克是一个非二元的跨性别者,男性和女性代词都被用来指代他们)。埃梅齐的小说以20世纪90年代末的尼日利亚为背景,叙述了当时该国的社会政治状况,包括国家元首萨尼·阿巴查(Sani Abacha)的突然去世对民众的影响。在整部小说中,异见从两个层面进行描述:一方面,它表现为一种民主愿望的表达,通过对国家政治的公众抗议,以及对民族宗教团体的暴力行为;另一方面,在对自己身份的肯定方面,也有一种私人异议的平行表现。因此,维韦克不剪长发的决定成为了一种个人反对社会预先强加的性别结构的形式。从这个意义上说,如果社会对LGBT群体成员的污名体现在Vivek的父母无法接受和理解他们的非双性恋孩子上,那么Vivek的朋友们代表了对这种压迫性社会制度的一种集体抵抗行为。最终,公共和私人异议之间的对立在维韦克之死及其原因和后果中达到了高潮。在对小说进行批判性分析的基础上,最近将文学概念定义为一种激发异议的积极力量(Cheah 2016, Burns 2019),本文展示了埃梅兹的叙事如何利用公共和私人异议的表征来挑战当前世界,以参与构建一个更平等的世界。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Matatu
Matatu Arts and Humanities-Literature and Literary Theory
CiteScore
0.20
自引率
0.00%
发文量
9
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