On the Cyrillic Fonts in the Balkans in the 15th and 16th Centuries

Abstract

The author explores the following issues: the differing graphical systems of the early print Cyrillic fonts and their role in establishing common identity through achieving cultural unity in graphical diversity. The paper provides conclusions about the types of orthographic systems (the Tarnovo two-nasal system and the Raška and Resava systems); the graphical inventory of individual editions according to selected differential features; the areal and cultural specifics of the studied editions. The author argues that the early print Cyrillic fonts functioned as a sign and information system and a cultural phenomenon that upheld tradition and rein-forced its literary prestige.