A Passage to Philosophy: Derrida’s Plato’s Pharmakon and the Meshing of the Philosophical and the Mythological in Phaedrus

Mohammad Aljayyousi
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Abstract

This paper relates the implications of Derrida’s reading to the historical context of the passage into philosophy and metaphysics as explained in classical works like Havelock’s Preface to Plato (1952). The paper shows the specific ways Derrida used to deconstruct Palto’s text and how this connects with the historical context of the text itself, the inception of philosophy and metaphysics as we know it now. The first step Derrida takes is showing the importance of the myth element in the work’s structure. One is his etymological analysis of the word “pharmakon” and its double meaning. The second mechanism is the structural laws of oppositions, such as speech/writing, good/evil, life/death, first/second, and original/copy. The paper concludes that Derrida’s reading of Plato is different from Havelock’s in being a form of “textual contextualizing.” Derrida is putting Phaedrus in the wider project of the passage into philosophy and into the dawn of Western metaphysics, but unlike Havelock, he is concerned with textual mechanisms rather than historical turns. Derrida’s reading indicates that Plato introduced metaphysics and philosophy not merely by making up terms and expounding notions but, more importantly, by a set of textual mechanisms that will live on with Western philosophy and thought.
通向哲学的通道:德里达的柏拉图《药神》与《斐德鲁篇》中哲学与神话的融合
本文将德里达的阅读与哲学和形而上学的历史背景联系起来,正如哈夫洛克(Havelock)的《柏拉图序言》(1952)等经典作品所解释的那样。这篇论文展示了德里达解构帕尔托文本的具体方式,以及这与文本本身的历史背景,即我们现在所知的哲学和形而上学的起源是如何联系起来的。德里达采取的第一步是展示了神话元素在作品结构中的重要性。一是他对“pharmakon”一词的词源分析及其双重含义。第二种机制是对立的结构规律,如说/写、善/恶、生/死、第一/第二、原创/复制等。本文的结论是,德里达对柏拉图的解读不同于哈夫洛克的解读,它是一种“文本语境化”的形式。德里达把《费德鲁斯篇》放在更广阔的项目中,进入哲学,进入西方形而上学的黎明,但与哈夫洛克不同,他关注的是文本机制,而不是历史转折。德里达的解读表明,柏拉图引入形而上学和哲学不仅仅是通过造词和阐述概念,更重要的是通过一套将与西方哲学和思想共存的文本机制。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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