Three Poems on Memory

IF 0.1 3区 文学 0 LITERARY THEORY & CRITICISM
Alessio Zanelli
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引用次数: 0

Abstract

In lieu of an abstract, here is a brief excerpt of the content:

  • Three Poems on Memory
  • Alessio Zanelli

MICROCHIMERISM

I feel them,the way I feel the stardust seeping through my skin.I feel them in the light and in the dark,in absolute silence and in deafening noise,in peaceful days and in gloomy days,while awake and while asleep.They whisper to me who I am,where I came from and where I'm headed.They uphold mewhen my body falters or my mind breaks down.I feel them loud and cleareven though turmoil surrounds me,and I wonder whether she can feel them in turn,wherever she is now.And if our swapped cells don't do the job,I'm sure we'll join anewas waves afloat in spacetime,liminal ripples invisibly entwinedthat eternally propagate within the whole,within the cosmic womb astir with zillions more. [End Page 465]

TIME

Hanging on in quiet desperation

—Roger Waters1

They were right. We would get to know the hoax.They had ridden the carousel before.The swallows have always been returning,only fewer with every passing year,though they have never really gone away.Now they speak to me in dreams, one by one.The time has come. To regret time. And all.We are drops off the stalactites of time,settling the concretions of memory.And the sun burns on. Up and down around. [End Page 466]

WHIFFS

Light has no edge, darkness has no center, both have shape.They visit with me briefly, quick life whiffs,between a misty trip into nowhere and the next.They speak a few words, terse phrases,neat like scratches of diamond over limestone,in a forgotten lively voice,from a time long before they left.I gather nothing, mostly, no real sense.I retrieve a very distant memory, every so often,as if arising from yesterday.They hardly show themselves while speaking,and when they do I can but have a fleeting glance.Their face shines upon an invisible body,illuminates the whole ambience,belongs in an older past,not the last I have known with them.It is a face from youth,one I am allowed to recall only when they appear.Why do they come if they cannot stay?How is it they take the long way around?What do they mean?Maybe youth is the message.Maybe they just want me to thinkI have been young, we all have, together.There could be more I miss, I must still realize.I may do one day, or never, but it is already enough.A few words and a face.A darting glow.Whiffs.Edge has light, center has darkness, both have no shape.

Cremona, Italy Alessio Zanelli Cremona, Italy

Footnotes

1. Pink Floyd, "Time," by Roger Waters, on The Dark Side of the Moon, Abbey Road Studios, originally released 1973.

Copyright © 2023 Johns Hopkins University Press ...

关于记忆的三首诗
为了代替摘要,这里有一个简短的内容摘录:三首关于记忆的诗阿莱西奥·扎内利:微嵌合我感觉到了它们,就像我感觉星尘渗进了我的皮肤。无论是在光明中还是在黑暗中,在绝对的寂静中还是在震耳欲聋的噪音中,在平静的日子里还是在阴郁的日子里,在醒着的时候还是在睡着的时候,我都能感受到它们。他们低声告诉我,我是谁,我从哪里来,我要去哪里。当我的身体摇摇欲坠或精神崩溃时,他们支持着我。尽管周围一片混乱,我还是能清晰地感受到它们。我想知道,无论她现在身在何处,她是否也能感受到它们。如果我们交换的细胞不能完成这项工作,我相信我们将加入漂浮在时空中的新波,在整体中永恒传播的微小涟漪,在宇宙子宫中与无数的人一起搅拌。时间在安静的绝望中坚持着-罗杰·沃特斯他们是对的。我们会知道这个骗局的。他们以前坐过旋转木马。燕子总是回来,只是一年比一年少,虽然它们从来没有真正离开过。现在他们在梦里和我说话,一个接一个。时机已经到来。后悔时间。和所有。我们是时间钟乳石上的点点滴滴,沉淀着记忆的凝结。太阳在燃烧。上下左右。光没有边缘,黑暗没有中心,两者都有形状。他们和我短暂的相聚,短暂的生活,在虚无缥缈的旅行和下一个之间。他们用一种被人遗忘的活泼的声音说了几句话,简洁的句子,就像钻石在石灰岩上划过的痕迹。那是在他们离开之前很久的事了。我什么都没收集到,基本上没有什么真正的感觉。每隔一段时间,我就会想起一段非常遥远的记忆,仿佛是从昨天产生的。他们说话的时候几乎看不出来,即使看出来了,我也只能匆匆地看一眼。他们的脸照在一个看不见的身体上,照亮了整个环境,属于一个更古老的过去,而不是我所知道的最后一个。这是一张年轻时的脸,只有当它出现时,我才能回忆起它。如果他们不能留下来,为什么还要来呢?他们怎么能绕这么远的路?它们是什么意思?也许青春就是信息。也许他们只是想让我觉得我曾经年轻过,我们都曾经年轻过。我还会想念更多,我必须意识到。也许有一天,也许永远不会,但这已经足够了。几句话,一张脸。一闪一闪的光,边缘有光,中心有暗,两者都没有形状。克雷莫纳,意大利,阿莱西奥·扎内利平克·弗洛伊德,罗杰·沃特斯的《时间》,艾比路工作室《月之暗面》,最初发行于1973年。版权所有©2023约翰霍普金斯大学出版社…
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来源期刊
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发文量
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期刊介绍: For more than a quarter century, Philosophy and Literature has explored the dialogue between literary and philosophical studies. The journal offers a constant source of fresh, stimulating ideas in the aesthetics of literature, theory of criticism, philosophical interpretation of literature, and literary treatment of philosophy. Philosophy and Literature challenges the cant and pretensions of academic priesthoods by publishing an assortment of lively, wide-ranging essays, notes, and reviews that are written in clear, jargon-free prose. In his regular column, editor Denis Dutton targets the fashions and inanities of contemporary intellectual life.
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