Loving Mean: Racialized Medicine and the Rise of Postwar Eugenics in Toni Morrison’s Home

IF 0.3 3区 文学 0 LITERATURE, AMERICAN
MELUS Pub Date : 2021-11-18 DOI:10.1093/melus/mlab035
James Fitz Gerald
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引用次数: 0

Abstract

This essay reads Toni Morrison’s Home (2012) against the backdrop of the United States’ well-documented patterns of unconstrained experimentation on racial-minority patients. The essay focuses specifically on contexts of mid-century eugenics, which exposed black Americans, often women, to nonconsensual and nontherapeutic surgical procedures. I argue that Home is not only informed by these traumatic histories of medical violence but is also able to construct an ethics of care out of them through the imperative of loving mean–a de-idealized love concerned less with sympathy than with survival. In so doing, the novel advances intersubjective forms of healing that challenge the systemic roots of reproductive racism and make possible the potential for meaningful recovery from both physical and historical trauma.
爱的意思:种族化的医学和战后优生学的兴起在托妮·莫里森的家
本文阅读托尼·莫里森的《家》(2012),背景是美国对少数族裔患者进行无约束实验的良好记录模式。这篇文章特别关注世纪中期优生学的背景,它使美国黑人,通常是女性,面临非自愿和非治疗性的外科手术。我认为,《家》不仅从这些医疗暴力的创伤性历史中获得了信息,而且还能够通过爱的必要性,从他们身上构建出一种关怀的伦理——一种非理想化的爱,与其说是同情,不如说是生存。在这样做的过程中,这部小说推进了主体间的治疗形式,挑战了生殖种族主义的系统性根源,并使从身体和历史创伤中有意义的恢复成为可能。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
MELUS
MELUS LITERATURE, AMERICAN-
CiteScore
0.40
自引率
50.00%
发文量
59
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