{"title":"Staging Interruption: Quotation, Montage, and Feminist Thought in Carla Lonzi’s Autoritratto","authors":"Emily Antenucci","doi":"10.1080/02614340.2023.2268481","DOIUrl":null,"url":null,"abstract":"This article reads Carla Lonzi’s collective self-portrait Autoritratto (1969) through the interpretive lens of interruption. I identify interruption as a critical and unexplored stylistic feature a...","PeriodicalId":501451,"journal":{"name":"The Italianist","volume":"15 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2023-11-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Italianist","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/02614340.2023.2268481","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
This article reads Carla Lonzi’s collective self-portrait Autoritratto (1969) through the interpretive lens of interruption. I identify interruption as a critical and unexplored stylistic feature a...