Lucía Gastón-Lorente, Beatriz Gómez-Baceiredo, Antonio Martínez-Illán
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引用次数: 0
Abstract
The miniseries When They See Us constitutes an example of how a based-on-real-events fiction work can add to its poetic role the ability to participate in shaping democracy. Although journalism is not its central issue, this Netflix series makes a representation of the press in which it shows how the media failed in fulfilling its democratic role and tries to make amends for it. By analyzing 21 scenes dedicated to the media from a narrative perspective, this paper shows how the series represents the press’ failure in acting as watchdog during this case. Moreover, it also shows how this representation of the press turns the series into a watchdog itself.
迷你剧《当他们看到我们》(When They See Us)是一个例子,说明一部基于真实事件的小说作品如何在其诗歌角色之外,加入参与塑造民主的能力。虽然新闻业不是这部剧的中心议题,但这部Netflix的电视剧展示了媒体在履行其民主角色方面的失败,并试图弥补这一缺陷。本文从叙事的角度分析了21个媒体专用场景,展示了该系列如何体现了媒体在此案中作为看门狗的失败。此外,它还展示了新闻界的这种表现如何将该系列本身变成了一个看门狗。
期刊介绍:
The Journal of Communication Inquiry emphasizes interdisciplinary inquiry into communication and mass communication phenomena within cultural and historical perspectives. Such perspectives imply that an understanding of these phenomena cannot arise soley out of a narrowly focused analysis. Rather, the approaches emphasize philosophical, evaluative, empirical, legal, historical, and/or critical inquiry into relationships between mass communication and society across time and culture. The Journal of Communication Inquiry is a forum for such investigations.