A Plantation Illogic: Narrating Proslavery’s Imagined Futures

IF 0.6 2区 文学 0 LITERATURE, AMERICAN
Tomos Hughes
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Abstract

This essay explores the temporal and narrative dimensions of speculative proslavery thought, considering proslavery political economy in particular as a genre that articulates a vision of capitalist modernity unbound by liberal accounts of national futurity. This defense of slavery has its formal correlate in an ambivalent embrace of the speculative novel as a means for imagining slavery’s extension through time and space. Taking as its literary examples Edgar Allan Poe’s The Narrative of Arthur Gordon Pym (1838), Nathaniel Beverley Tucker’s The Partisan Leader (1836), and Edmund Ruffin’s Anticipations of the Future (1860), the essay argues that proslavery’s imagined futures are characterized by exhaustion, both of narrative and social reproduction. Considering exhaustion as the temporality that characterizes slavery’s modernity leads us to question the idea that the latter is best articulated in terms of the institution’s disavowed centrality to capitalism.Proslavery theorists made slavery central to capital by tying capital to the conditions of its hinterland; imagining the world the slaveholders could make, they got stuck in the one the plantation made.
种植园不合逻辑:叙述亲奴隶制想象中的未来
本文探讨了思辨的亲奴隶制思想的时间和叙事维度,特别是将亲奴隶制政治经济学视为一种流派,它阐明了一种不受自由主义对国家未来的描述约束的资本主义现代性愿景。这种对奴隶制的辩护在形式上与一种对投机小说的矛盾拥抱相关联,它是一种想象奴隶制在时间和空间中延伸的手段。本文以爱伦·坡的《亚瑟·戈登·皮姆的故事》(1838)、纳撒尼尔·贝弗利·塔克的《党派领袖》(1836)和埃德蒙·鲁芬的《未来展望》(1860)为例,论证了亲奴隶制想象中的未来的特点是叙事和社会再生产的枯竭。考虑到疲惫是奴隶制现代性的暂时性特征,我们会质疑后者最好是用制度对资本主义的否定中心地位来表达的观点。支持奴隶制的理论家通过将资本与其腹地的条件联系起来,使奴隶制成为资本的核心;想象着奴隶主可以创造的世界,他们被困在了种植园创造的世界里。
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来源期刊
AMERICAN LITERARY HISTORY
AMERICAN LITERARY HISTORY LITERATURE, AMERICAN-
CiteScore
0.70
自引率
25.00%
发文量
178
期刊介绍: Recent Americanist scholarship has generated some of the most forceful responses to questions about literary history and theory. Yet too many of the most provocative essays have been scattered among a wide variety of narrowly focused publications. Covering the study of US literature from its origins through the present, American Literary History provides a much-needed forum for the various, often competing voices of contemporary literary inquiry. Along with an annual special issue, the journal features essay-reviews, commentaries, and critical exchanges. It welcomes articles on historical and theoretical problems as well as writers and works. Inter-disciplinary studies from related fields are also invited.
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