Commemoration, modernism and self-identity in contemporary graphic memoir

IF 0.5 3区文学 0 LITERATURE

TEXTUAL PRACTICE Pub Date : 2023-11-29 DOI:10.1080/0950236x.2023.2287360

Katherine Ebury

引用次数: 0

Abstract

This essay focuses on two texts, Mary M. Talbot’s and Bryan Talbot’s Dotter of her Father’s Eyes (2012) and Sarah Laing’s Mansfield and Me: A Graphic Memoir (2016). Both texts are in a direct line ...

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当代图形回忆录中的纪念、现代主义与自我认同

本文主要关注两篇文本，玛丽·m·塔尔博特和布莱恩·塔尔博特的《她父亲眼中的波特》(2012)和莎拉·莱恩的《曼斯菲尔德和我:一个图形回忆录》(2016)。两篇文章都是直线的。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

TEXTUAL PRACTICE LITERATURE-

CiteScore

0.70

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0.00%

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期刊介绍： Since its launch in 1987, Textual Practice has been Britain"s principal international journal of radical literary studies, continually pressing theory into new engagements. Today, as customary relations among disciplines and media are questioned and transformed, Textual Practice works at the turning points of theory with politics, history and texts. It is intrigued by the processes through which hitherto marginal cultures of ethnicity and sexuality are becoming conceptually central, and by the consequences of these diverse disturbances for educational and cultural institutions.