When digitization is not enough. A perspective from the museum field in the digital age

IF 1 Q3 COMMUNICATION
Héctor Valverde Martínez
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引用次数: 1

Abstract

ABSTRACT

The inclusion-exclusion of visitors in museum spaces since the introduction of digital devices has its correlation with the narratives that give origin to the Mexican museums, which are institutions with roots so deep that perceive the changes as a prosthetic element that is added to the already proven formula of making and understanding the (traditional) museum. In that sense, this text seeks to identify the narratives and the political, social, economic and communicative implications that the introduction of digital devices as interpretative tools in museum spaces has. The results obtained from a job carried out at the International Baroque Museum in the summer of 2019, in which a series of interviews were applied to the visitors and museum staff, as well as participating in observation exercises which will serve as a reference to illustrate the statement that museums are institutions that try to maintain the traditional relationship between visitors and museums despite the introduction of digital devices, reinforcing the exclusion by maintaining the forms of expression inherited by the colonial past of the museum.

当数字化还不够时。数字时代博物馆领域的视角
摘要自从引入数字设备以来,博物馆空间对游客的包容与排斥与赋予墨西哥博物馆起源的叙事有关,这些博物馆是根深蒂固的机构,将变化视为添加到已经被证明的制作和理解(传统)博物馆的公式中的假体元素。从这个意义上说,本文试图确定在博物馆空间中引入数字设备作为解释工具所带来的叙事和政治、社会、经济和交流影响。2019年夏天在国际巴洛克博物馆进行的一项工作获得的结果,其中对游客和博物馆工作人员进行了一系列访谈,并参与了观察练习,这些练习将作为参考,说明博物馆是一个机构,尽管引入了数字设备,但仍试图保持游客和博物馆之间的传统关系。通过保持博物馆的殖民历史所继承的表达形式来加强排他性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
4.00
自引率
6.70%
发文量
16
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