Notes on Contributors

IF 0.1 3区 文学 0 LITERATURE
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Steinberg, she coedited <em>The Collected Writings of Assia Wevill</em> (Louisiana State UP, 2021), which was recognized by the Popular Culture Association with the 2022 Susan Koppelman Award for the Best Anthology, Multi-Authored, or Edited Book in Feminist Studies in Popular and American Culture.</p> <p><strong>AMY L. GATES</strong> is an associate professor of English at Missouri Southern State University. She teaches courses in British Romantic and Victorian literature, medicine and literature, global arts and culture, Shakespeare, literary theory, and composition. Her research interests include the perception of depictions of the dead and their graves as future- and progress-oriented in British Romantic literature; emerging concepts of “vocation” and career guidance as a means for social mobility and gender parity in the late eighteenth and early nineteenth centuries; and Romantic-era British women’s writing. She has presented papers at numerous conferences and has published work in the <em>Keats-Shelley Journal</em> and <em>Women’s Writing</em>.</p> <p><strong>NICOLE C. LIVENGOOD</strong> is a professor of English at Marietta College in Southeast Ohio. Her research interests include disability studies; periodical studies; nineteenth-century women writers; and literary and rhetorical approaches to abortion in antebellum American popular culture, with a focus on recovering the voices of women who testified in 1840s abortion trials. Her current project, <em>Beyond Seduction and Abortion: The Life and “Memoir” of Zulma Marache</em>, combines these interests. Livengood has published work in <em>Studies in American Humor</em>, <em>American Journalism</em>, and <em>Legacy: A Journal of American Women Writers</em>.</p> <p><strong>RONNIE K. STEPHENS</strong> is an assistant professor of English at Tarrant County College. He is currently ABD at the University of Texas at Arlington, specializing in American poetry and transgressive teaching practices for the twenty-first century classroom. His research centers the role of poetry in subverting antiethnic and anti-LGBTQ legislation affecting public education today. In addition to his role as an instructor of World Literatures, English Composition and Technical Writing, Stephens is a staff reviewer for <em>The Poetry Question</em> and a writer for the nonpartisan nonprofit Interrogating Justice. He is the author of three books, including the illustrated poetry collection <em>They Rewrote Themselves Legendary</em>, which won the New England Book Prize.</p> <p><strong>EMILY BANKS</strong> is a visiting assistant professor of English and creative writing at Franklin College. She holds a PhD from Emory University and an MFA from the University of Maryland. Her scholarship, which focuses on American gothic literature, has appeared in <em>Women’s Studies</em>, <em>ESQ</em>, <em>Arizona Quarterly</em>, <em>Mississippi Quarterly</em>, and the edited volumes <em>Shirley Jackson and Domesticity: Beyond the Haunted House</em> (Bloomsbury) and <em>Shirley Jackson: A Companion</em> (Peter Lang). She directs the Shirley Jackson Society and is a managing editor of the new peer-reviewed journal <em>Shirley Jackson Studie</em>s. She has also published a poetry collection, <em>Mother Water</em> (Lynx House Press), and has recent poems in journals that include <em>Plume</em>, <em>CutBank</em>, <em>32 Poem</em>s, <em>Copper Nickel</em>, <em>Mid-American Review</em>, and <em>The Rumpus</em>. She lives in Indianapolis.</p> Copyright © 2023 Midwest Modern Language Association ... </p>","PeriodicalId":42049,"journal":{"name":"JOURNAL OF THE MIDWEST MODERN LANGUAGE ASSOCIATION","volume":"35 7","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2023-12-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"JOURNAL OF THE MIDWEST MODERN LANGUAGE ASSOCIATION","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/mml.2022.a913848","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
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Abstract

In lieu of an abstract, here is a brief excerpt of the content:

  • Notes on Contributors

JULIE GOODSPEED-CHADWICK is Chancellor’s Professor of English, affiliate faculty in Women’s, Gender, and Sexuality Studies, and director of the Office of Student Research at Indiana University Columbus. She is the author of the books Reclaiming Assia Wevill: Sylvia Plath, Ted Hughes, and the Literary Imagination (Louisiana State UP, 2019) and Modernist Women Writers and War: Trauma and the Female Body in Djuna Barnes, H.D., and Gertrude Stein (Louisiana State UP, 2011). With Peter K. Steinberg, she coedited The Collected Writings of Assia Wevill (Louisiana State UP, 2021), which was recognized by the Popular Culture Association with the 2022 Susan Koppelman Award for the Best Anthology, Multi-Authored, or Edited Book in Feminist Studies in Popular and American Culture.

AMY L. GATES is an associate professor of English at Missouri Southern State University. She teaches courses in British Romantic and Victorian literature, medicine and literature, global arts and culture, Shakespeare, literary theory, and composition. Her research interests include the perception of depictions of the dead and their graves as future- and progress-oriented in British Romantic literature; emerging concepts of “vocation” and career guidance as a means for social mobility and gender parity in the late eighteenth and early nineteenth centuries; and Romantic-era British women’s writing. She has presented papers at numerous conferences and has published work in the Keats-Shelley Journal and Women’s Writing.

NICOLE C. LIVENGOOD is a professor of English at Marietta College in Southeast Ohio. Her research interests include disability studies; periodical studies; nineteenth-century women writers; and literary and rhetorical approaches to abortion in antebellum American popular culture, with a focus on recovering the voices of women who testified in 1840s abortion trials. Her current project, Beyond Seduction and Abortion: The Life and “Memoir” of Zulma Marache, combines these interests. Livengood has published work in Studies in American Humor, American Journalism, and Legacy: A Journal of American Women Writers.

RONNIE K. STEPHENS is an assistant professor of English at Tarrant County College. He is currently ABD at the University of Texas at Arlington, specializing in American poetry and transgressive teaching practices for the twenty-first century classroom. His research centers the role of poetry in subverting antiethnic and anti-LGBTQ legislation affecting public education today. In addition to his role as an instructor of World Literatures, English Composition and Technical Writing, Stephens is a staff reviewer for The Poetry Question and a writer for the nonpartisan nonprofit Interrogating Justice. He is the author of three books, including the illustrated poetry collection They Rewrote Themselves Legendary, which won the New England Book Prize.

EMILY BANKS is a visiting assistant professor of English and creative writing at Franklin College. She holds a PhD from Emory University and an MFA from the University of Maryland. Her scholarship, which focuses on American gothic literature, has appeared in Women’s Studies, ESQ, Arizona Quarterly, Mississippi Quarterly, and the edited volumes Shirley Jackson and Domesticity: Beyond the Haunted House (Bloomsbury) and Shirley Jackson: A Companion (Peter Lang). She directs the Shirley Jackson Society and is a managing editor of the new peer-reviewed journal Shirley Jackson Studies. She has also published a poetry collection, Mother Water (Lynx House Press), and has recent poems in journals that include Plume, CutBank, 32 Poems, Copper Nickel, Mid-American Review, and The Rumpus. She lives in Indianapolis.

Copyright © 2023 Midwest Modern Language Association ...

投稿人说明
JULIE GOODSPEED-CHADWICK是校长的英语教授,妇女、性别和性研究的附属教师,也是印第安纳大学哥伦布分校学生研究办公室的主任,这里不是摘要,而是内容的简短摘录。她是《收复阿西亚·威维尔:西尔维娅·普拉斯、泰德·休斯和文学想象》(路易斯安那州立大学出版社,2019年)和《现代主义女作家与战争:创伤和女性身体》(路易斯安那州立大学出版社,2011年)的作者。与彼得K.斯坦伯格,她合编的阿西亚·威维尔文集(路易斯安那州UP, 2021年),这是公认的流行文化协会与2022年苏珊·科佩尔曼奖的最佳选集,多作者,或编辑的书在流行和美国文化中的女权主义研究。艾米·盖茨(AMY L. GATES)是密苏里南州立大学的英语副教授。她教授英国浪漫主义和维多利亚时代文学、医学和文学、全球艺术和文化、莎士比亚、文学理论和写作等课程。她的研究兴趣包括对英国浪漫主义文学中对死者及其坟墓的描绘作为未来和进步导向的看法;在18世纪末和19世纪初,新兴的“职业”和职业指导概念作为社会流动和性别平等的手段;以及浪漫主义时期的英国女性写作。她在许多会议上发表论文,并在《济慈-雪莱杂志》和《女性写作》上发表过作品。NICOLE C. LIVENGOOD是俄亥俄州东南部玛丽埃塔学院的英语教授。她的研究兴趣包括残疾研究;期刊的研究;19世纪的女作家;以及在内战前美国流行文化中对堕胎的文学和修辞方法,重点是恢复在19世纪40年代堕胎审判中作证的妇女的声音。她目前的作品《超越诱惑与堕胎:祖玛·玛拉奇的生活与“回忆录”》结合了这些兴趣。利文古德在《美国幽默研究》、《美国新闻》和《遗产:美国女作家杂志》上发表过作品。罗尼·k·斯蒂芬斯是塔兰特县学院的英语助理教授。他目前是德克萨斯大学阿灵顿分校的文学博士,专攻美国诗歌和21世纪课堂的越轨教学实践。他的研究集中在诗歌在颠覆影响当今公共教育的反种族和反lgbtq立法中的作用。除了担任世界文学、英语作文和技术写作的讲师之外,斯蒂芬斯还是《诗歌问题》的评论员和无党派非营利组织“审讯正义”的作家。他是三本书的作者,其中包括获得新英格兰图书奖的插图诗集《他们改写了自己的传奇》。艾米丽·班克斯是富兰克林学院英语和创意写作的客座助理教授。她拥有埃默里大学的博士学位和马里兰大学的硕士学位。她的奖学金,主要集中在美国哥特式文学,出现在妇女研究,ESQ,亚利桑那季刊,密西西比季刊,和编辑的卷雪莉·杰克逊和家庭生活:超越鬼屋(布鲁姆斯伯里)和雪莉·杰克逊:一个伴侣(彼得·朗)。她是雪莉·杰克逊协会的负责人,也是新的同行评议期刊《雪莉·杰克逊研究》的执行主编。她还出版了诗集《母亲之水》(Lynx House Press),最近的诗歌发表在《羽毛》、《CutBank》、《32首诗》、《铜镍》、《中美评论》和《喧闹》等期刊上。她住在印第安纳波利斯。版权所有©2023中西部现代语言协会…
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期刊介绍: The Journal of the Midwest Modern Language Association publishes articles on literature, literary theory, pedagogy, and the state of the profession written by M/MLA members. One issue each year is devoted to the informal theme of the recent convention and is guest-edited by the year"s M/MLA president. This issue presents a cluster of essays on a topic of broad interest to scholars of modern literatures and languages. The other issue invites the contributions of members on topics of their choosing and demonstrates the wide range of interests represented in the association. Each issue also includes book reviews written by members on recent scholarship.
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