Notes on Contributors

IF 0.1 3区艺术学 0 ART

OXFORD ART JOURNAL Pub Date : 2020-05-09 DOI:10.1093/oxartj/kcaa004

引用次数: 0

Abstract

Emma Barker is Senior Lecturer in Art History at the Open University. She is the author of Greuze and the Painting of Sentiment (Cambridge University Press, 2005) and has published numerous essays on eighteenth-century French art. She is the editor of Contemporary Cultures of Display (Yale University Press, 1999), Art and Visual Culture 1600-1850: Academy to Avant-Garde (Tate Publishing, 2012) and Art, Commerce and Colonialism 1600-1800 (Manchester University Press, 2017).

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投稿人说明

艾玛·巴克是英国开放大学艺术史高级讲师。她是格鲁兹和情感绘画(剑桥大学出版社，2005年)的作者，并发表了许多关于18世纪法国艺术的文章。她是《当代展示文化》(耶鲁大学出版社，1999年)、《艺术与视觉文化1600-1850:从学院到前卫》(泰特出版社，2012年)和《艺术、商业与殖民主义1600-1800》(曼彻斯特大学出版社，2017年)的主编。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

OXFORD ART JOURNAL ART-

CiteScore

0.20

自引率

0.00%

发文量

期刊介绍： The Oxford Art Journal has an international reputation for publishing innovative critical work in art history, and has played a major role in recent rethinking of the discipline. It is committed to the political analysis of visual art and material representation from a variety of theoretical perspectives, and has carried work addressing themes from Antiquity to contemporary art practice. In addition it carries extended review of major contributions to the field.