{"title":"Characterizing the Engagement of Syrian Women in the Revolution","authors":"Emma Aubin-Boltanski, Oussama Khalbous","doi":"10.1163/18739865-01504010","DOIUrl":null,"url":null,"abstract":"The Syrian 2011 revolution was a moment of unprecedented expression and graphic conquest of the public space. Written and chanted words, sometimes shouted and sang during the demonstrations, have somehow crystallized hopes, disillusionment and indignation of the Syrian people. <jats:italic>Harâ’ir</jats:italic> <jats:styled-content xml:lang=\"ar-Arab\">حرائر</jats:styled-content> (Free Women) is one of them. When it appeared on the revolutionary scene, it quickly raised a fierce debate within opposition groups. If some protesters considered the word to be “poetic” and neutral, others believed that its use was a sign of an Islamist derivation discriminatory against women. <jats:italic>Harâ’ir</jats:italic> is used in various manners, linked to the context of enunciation and also to the political stance of the individuals using or even, at times, brandishing it as a slogan. The aim of this article is to highlight several usages situated in Syria since 2011 and to analyze the term’s semantic and emotional resonance.","PeriodicalId":43171,"journal":{"name":"Middle East Journal of Culture and Communication","volume":"70 ","pages":""},"PeriodicalIF":0.4000,"publicationDate":"2022-11-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Middle East Journal of Culture and Communication","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1163/18739865-01504010","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 0
Abstract
The Syrian 2011 revolution was a moment of unprecedented expression and graphic conquest of the public space. Written and chanted words, sometimes shouted and sang during the demonstrations, have somehow crystallized hopes, disillusionment and indignation of the Syrian people. Harâ’ir حرائر (Free Women) is one of them. When it appeared on the revolutionary scene, it quickly raised a fierce debate within opposition groups. If some protesters considered the word to be “poetic” and neutral, others believed that its use was a sign of an Islamist derivation discriminatory against women. Harâ’ir is used in various manners, linked to the context of enunciation and also to the political stance of the individuals using or even, at times, brandishing it as a slogan. The aim of this article is to highlight several usages situated in Syria since 2011 and to analyze the term’s semantic and emotional resonance.
期刊介绍:
The Middle East Journal of Culture and Communication provides a transcultural academic sphere that engages Middle Eastern and Western scholars in a critical dialogue about culture, communication and politics in the Middle East. It also provides a forum for debate on the region’s encounters with modernity and the ways in which this is reshaping people’s everyday experiences. MEJCC’s long-term objective is to provide a vehicle for developing the field of study into communication and culture in the Middle East. The Journal encourages work that reconceptualizes dominant paradigms and theories of communication to take into account local cultural particularities.