{"title":"Circulation of home-emotions: The critique of architecture through reality TV","authors":"Jan Smitheram , Akari Nakai Kidd","doi":"10.1016/j.emospa.2023.100989","DOIUrl":null,"url":null,"abstract":"<div><p>This paper reveals how a popular UK reality TV programme <em>Your Home Made Perfect</em> mobilises emotions to challenge conceptualisations of architecture while simultaneously reinforcing regressive ideas of race, class and sexuality. Drawing on our thematic analysis of fourteen episodes of <em>Your Home</em>, the paper shows how architectural entertainment is uniquely positioned through the use of VR technology, to generate and mobilise client emotions, towards critique. This includes the critique of architectural drawings and the power imbalances of architect-client relationships. We trace how ‘happy’ emotions are tied to being able to read architectural visualisations through virtual reality (VR) rather than the ‘sad’ emotion enforced by traditional architectural forms of communication; how positive emotions fostered through care-in-action attach to the architecture and home. By foregrounding clients' emotional responses to the redesign of their homes by architects, the paper reveals architectural entertainment programmes as popular and powerful forms of architectural critique that nonetheless simultaneously reinforce exclusionary social logics that limits owner-occupation for the white middle class. In so doing, this paper contributes to unpacking both the emotional value of architecture and how this complex form of taste-making occurs within popular culture, that is, conveying to people the place of architecture within society.</p></div>","PeriodicalId":47492,"journal":{"name":"Emotion Space and Society","volume":"50 ","pages":"Article 100989"},"PeriodicalIF":1.9000,"publicationDate":"2023-11-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Emotion Space and Society","FirstCategoryId":"90","ListUrlMain":"https://www.sciencedirect.com/science/article/pii/S175545862300052X","RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"GEOGRAPHY","Score":null,"Total":0}
引用次数: 0
Abstract
This paper reveals how a popular UK reality TV programme Your Home Made Perfect mobilises emotions to challenge conceptualisations of architecture while simultaneously reinforcing regressive ideas of race, class and sexuality. Drawing on our thematic analysis of fourteen episodes of Your Home, the paper shows how architectural entertainment is uniquely positioned through the use of VR technology, to generate and mobilise client emotions, towards critique. This includes the critique of architectural drawings and the power imbalances of architect-client relationships. We trace how ‘happy’ emotions are tied to being able to read architectural visualisations through virtual reality (VR) rather than the ‘sad’ emotion enforced by traditional architectural forms of communication; how positive emotions fostered through care-in-action attach to the architecture and home. By foregrounding clients' emotional responses to the redesign of their homes by architects, the paper reveals architectural entertainment programmes as popular and powerful forms of architectural critique that nonetheless simultaneously reinforce exclusionary social logics that limits owner-occupation for the white middle class. In so doing, this paper contributes to unpacking both the emotional value of architecture and how this complex form of taste-making occurs within popular culture, that is, conveying to people the place of architecture within society.
期刊介绍:
Emotion, Space and Society aims to provide a forum for interdisciplinary debate on theoretically informed research on the emotional intersections between people and places. These aims are broadly conceived to encourage investigations of feelings and affect in various spatial and social contexts, environments and landscapes. Questions of emotion are relevant to several different disciplines, and the editors welcome submissions from across the full spectrum of the humanities and social sciences. The journal editorial and presentational structure and style will demonstrate the richness generated by an interdisciplinary engagement with emotions and affects.