Risky business: policy legacy and gender inequality in Australian opera production

IF 1.3 3区 社会学 Q2 CULTURAL STUDIES
Caitlin Vincent, Katya Johanson, Bronwyn Coate
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引用次数: 0

Abstract

ABSTRACT The field of cultural policy has seen a shift towards considerations of diversity, with government bodies increasingly leveraging funding to combat inequality within organisations. A barrier to this aim is a lack of quantitative data, which would provide a means to evaluate the impact of specific policies in practice. This article investigates the relationship between gender inequality at an organisational level and cultural policy at a sectoral level through a case study of Australia’s state-funded opera companies. Drawing on production data from 2005 to 2020, we consider women’s representation as conductors, directors, and designers at the state companies through the lens of Australia’s policy legacy. We find that women experience gender-based disadvantage across the key creative roles of opera production and are further negatively impacted by Australia’s existing policy landscape, which, reflecting the drivers of cultural and economic value, indirectly enables gender inequality in the field.
高风险业务:澳大利亚歌剧生产中的政策遗产和性别不平等
随着政府机构越来越多地利用资金来打击组织内部的不平等,文化政策领域已经转向考虑多样性。实现这一目标的一个障碍是缺乏数量数据,这将提供一种手段来评价具体政策在实践中的影响。本文通过对澳大利亚国家资助的歌剧公司的案例研究,调查了组织层面的性别不平等与部门层面的文化政策之间的关系。根据2005年至2020年的生产数据,我们通过澳大利亚的政策遗产来考虑女性在国有企业中担任指挥、董事和设计师的情况。我们发现,在歌剧制作的关键创意角色中,女性经历了基于性别的劣势,并受到澳大利亚现有政策格局的进一步负面影响,这反映了文化和经济价值的驱动因素,间接导致了该领域的性别不平等。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
4.50
自引率
16.70%
发文量
59
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