Scenes of action – criticism of the ending

IF 0.2 0 PHILOSOPHY
Gustavo Chataignier
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引用次数: 0

Abstract

This text investigates the procedurality inaugurated by the action of subjects, which can be seen especially in the developments devoted to the play Antigone, in the Phenomenology of the Spirit. The conflict of irreducible rights entails the creation of a theory of action – in which the ends do not justify the means. Such an ethical requirement, always a posteriori, is imposed when the non-control of the relational world is verified, implying, finally, an open historicity. However, if simply being in the world is an action since it produces effects, we ask ourselves about the conditions (background in a situation governing expectations, but also the history of thought) and potentialities (disruptive emergence that organizes expectations, in becoming) of action. Thanks to externalizations that generate a problematic field, in the form of language, work and desire, we contract alterity relations and arrive at ourselves, through the other, fatally different from the starting point. It is up to philosophy to judge the implications of each particular action.
动作场面——对结局的批评
本文探讨了由主体的行动所开启的程序性,这在《精神现象学》中,特别是在戏剧《安提戈涅》的发展中可以看到。不可减少的权利之间的冲突需要创造一种行动理论——在这种理论中,目的不能证明手段是正当的。当关系世界的非控制性得到证实时,就会强加这样一种永远是事后的伦理要求,最终意味着一种开放的历史性。然而,如果仅仅在这个世界上存在就是一种行动,因为它会产生影响,那么我们就会问自己行动的条件(控制期望的情境背景,以及思想的历史)和潜力(在形成过程中组织期望的破坏性出现)。由于外化产生了一个有问题的领域,以语言、工作和欲望的形式,我们签订了另类关系,并通过他者到达了我们自己,这与起点是致命的不同。这是由哲学来判断每一个具体行动的含义。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.40
自引率
0.00%
发文量
38
审稿时长
15 weeks
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