A Study on Scientific Conservation Treatment of Modern and Contemporary Relief Sculptures Based on Their Production Technique: A Case Study on 〈Shrimp〉 by Jin-kyu Kwon

Jeong Ah Shin, Hye Sun Park, Cham Hee Jung, Hee Hong Kwon
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Abstract

This study described the preservation process of modern and contemporary relief sculpture and emphasized the importance of identification of the used materials through scientific analysis. by Jin-kyu Kwon, was described as a “cement” object by the collection agency at the time of donation. However, in surface observation, it was assumed that various materials other than cement were used. Through scientific analysis and research, was identified as cement work on gypsum plaster base. It was consistent with the production technique of Jin-kyu Kwon, who worked using ‘mixed media’ in the 1960s. Based on this, the material information of the work was corrected as ‘cement on gypsum(plaster)’ . Thus gypsum and cement were selected as conservation materials for the treatment. Considering this, a support frame was devised and applied in the conservation treatment of . This study would present the possibility of selecting and applying suitable conservation treatment methods for modern and contemporary sculptures.
从制作工艺看现当代浮雕的科学保护处理——以权镇圭《虾》为例
本研究描述了现当代浮雕的保存过程,强调了通过科学分析对使用材料进行鉴定的重要性。& lt; Shrimp>权镇圭(Jin-kyu Kwon)的作品,在捐赠时被讨债机构描述为“水泥”物品。然而,在表面观测中,假设使用了水泥以外的各种材料。通过科学的分析和研究,经鉴定为石膏基水泥工程。这与20世纪60年代使用“混合媒介”的权镇圭的制作手法是一致的。在此基础上,将作品的材料信息更正为“石膏(石膏)上的水泥”。因此选择石膏和水泥作为养护材料进行处理。为此,设计了一种支撑架,并将其应用于对虾的养护处理中。本研究将为选择和应用适合现当代雕塑的保护处理方法提供可能。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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