{"title":"There Was a Party for Langston by Jason Reynolds (review)","authors":"Adam McConville","doi":"10.1353/bcc.2023.a909638","DOIUrl":null,"url":null,"abstract":"Reviewed by: There Was a Party for Langston by Jason Reynolds Adam McConville Reynolds, Jason There Was a Party for Langston; illus. by Jerome Pumphrey and Jarrett Pumphrey. Dlouhy/Atheneum, 2023 [56p] Trade ed. ISBN 9781534439443 $18.99 E-book ed. ISBN 9781534439450 $10.99 Reviewed from digital galleys R Gr. 3-5 In 1991, the Langston Hughes Auditorium opened at the Schomburg Center of the New York Public Library in Harlem. Amid the festivities, poets Maya Angelou and Amiri Baraka were photographed letting loose in a celebratory dance. It's that photograph—of \"word makers\" in active movement—which inspires Reynolds to relay this story: of Black people partying in the library to honor Hughes. Quick-stepping verse layers in metaphor, connecting Hughes' life and work to laughter, resistance, and inspiration for generations of Black poets, with Angelou and Baraka receiving spotlight moments. Where the text is light on specific details, it's sure-footed in [End Page 111] style and emotion, expressing the way words come together, built from letters and building phrases, to convey emotion and connect Black artists and readers across time. Jerome and Jarrett Pumphrey's hand-made stamp art cleverly brings words to life on the pages: a flock of birds made of words makes a line of verse soar to the clouds, lights from apartment windows spell out \"Harlem\" in the night, and Angelou's and Baraka's dancing forms are literally made of their respective names. Through it all, both verse and visuals return to the library and a dancing crowd of smartly dressed Black folks boogying down in celebration of Hughes' life and work. While some set-up will be needed to provide context for the emotional journey, confident poetry fans will enjoy this ebullient work, and readers less adept at parsing metaphors will still enjoy the playful word-building of the illustrations. Copyright © 2023 The Board of Trustees of the University of Illinois","PeriodicalId":472942,"journal":{"name":"The Bulletin of the Center for Children's Books","volume":"76 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Bulletin of the Center for Children's Books","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/bcc.2023.a909638","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
《兰斯顿有个派对》作者:杰森·雷诺兹
书评:亚当·麦康维尔·雷诺兹,杰森·兰斯顿有一个派对;插图。杰罗姆·彭弗里和贾勒特·彭弗里著。Dlouhy/Atheneum, 2023[56页]贸易版。ISBN 9781534439443 $18.99电子书版。ISBN 9781534439450 $10.99评论自数字画廊R Gr. 3-5 1991年,Langston Hughes礼堂在哈莱姆区纽约公共图书馆的Schomburg中心开放。在庆祝活动中,诗人玛雅·安杰洛和阿米里·巴拉卡被拍到跳着庆祝舞蹈。正是这张照片——活跃运动中的“造词者”——激励雷诺兹讲述了这个故事:黑人在图书馆聚会纪念休斯。快节奏的诗句层层隐喻,将休斯的生活和工作与几代黑人诗人的笑声、反抗和灵感联系起来,安吉洛和巴拉卡成为人们关注的焦点。虽然文本对具体细节的描写不多,但它在风格和情感上都很扎实,表达了文字的组合方式,由字母和短语组成,传达情感,并将黑人艺术家和读者联系起来。Jerome和Jarrett Pumphrey的手工邮票艺术巧妙地在书页上赋予了文字生命:由文字组成的一群鸟使一行诗句翱翔云端,公寓窗户上的灯光在夜晚拼出“哈莱姆”,安杰洛和巴拉卡的舞蹈形式实际上是由他们各自的名字组成的。通过这一切,诗歌和视觉都回到了图书馆,一群穿着漂亮的黑人跳舞,庆祝休斯的生活和工作。虽然需要一些设置来为情感之旅提供背景,但自信的诗歌爱好者会喜欢这部热情洋溢的作品,而不擅长解析隐喻的读者仍然会喜欢插图中有趣的词汇构建。版权所有©2023伊利诺伊大学董事会
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