Innovative Application of Guangdong Chaoyang Paper Cutting Elements in Cheongsam Design

IF 0.3 Q3 AREA STUDIES
Kaihui Hou, Supavee Sirinkraporn
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引用次数: 0

Abstract

Cheongsam is usually made of brocade, satin, crepe, and silk. The patterns on the fabrics used are one of cheongsam design’s most essential fashion features. Therefore, the idea is to integrate a national intangible cultural heritage of Chaoyang paper-cutting folk art into cheongsam design, so as to inject some blood of local traditional culture into cheongsam and endow it with a different charm. This study proposes integrating two art forms, i.e., paper-cutting elements and cheongsam, to create a unique cultural and fashion product. Chaoyang paper cutting elements have been innovatively extracted and embedded in cheongsam clothing design through reading and querying the relevant materials. A proposed innovative mode of extracting and integrating the paper cutting elements, dubbed adaptive integration and mutual feature integration, respectively, ensured the creation of an aesthetically pleasing fashion good involving two distinct cultural elements. Four primary pattern arrangements have been presented namely: border design, all over pattern I &II and central placement. This is the first time a study proposed the integration of two prominent art forms to create a unique cultural and fashion product.
广东朝阳剪纸元素在旗袍设计中的创新应用
旗袍通常由锦缎、缎子、绉纱和丝绸制成。所用面料上的图案是旗袍设计最本质的时尚特征之一。因此,我们的想法是将朝阳剪纸民间艺术这一国家级非物质文化遗产融入到旗袍设计中,从而为旗袍注入一些当地传统文化的血液,赋予其不一样的魅力。本研究提出将剪纸元素与旗袍两种艺术形式相结合,创造出一种独特的文化时尚产品。通过阅读和查询相关资料,将朝阳剪纸元素创新性地提取并嵌入到旗袍服装设计中。我们提出了一种将剪纸元素提取和融合的创新模式,分别被称为适应性融合和相互特征融合,以确保创造出一种包含两种不同文化元素的美观时尚产品。提出了四种主要的模式安排,即:边界设计,全覆盖模式I & II和中心放置。这是第一次有研究提出将两种突出的艺术形式融合在一起,创造出一种独特的文化和时尚产品。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
1.20
自引率
11.10%
发文量
0
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