Walking, storytelling and melancholy survivals: memorialization of the ‘Troubles’ in Belfast’s City Centre

IF 1.6 3区 社会学 Q4 ENVIRONMENTAL STUDIES
Sunjay Mathuria
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Abstract

This article explores the role of walking and storytelling as a mode of memory-making in Belfast’s City Centre, a ‘shared space’ that has largely been emptied of reminders of the 30-year conflict in Northern Ireland known as the ‘Troubles’. Memorialization remains a divisive and contentious process in Northern Ireland with two opposing narrative traditions and a lack of shared collective memory. In the absence of state-led and officialized memorials to the ‘Troubles’, I explore how urban heritage can be expressed in motion, through spatial stories told by place-based professionals (urban planners, architects, heritage practitioners, arts and community groups) in the City Centre. In particular, I employ David Lloyd’s idea of ‘melancholy survivals’ to describe the ways in which memories of conflict persist in the narratives we tell and in the small physical residues scattered throughout the City Centre, which we encounter through walking and spatial stories. I argue that walking go-along interviews with place-based professionals elicits storytelling that evokes a mobile mode of memorialization. I begin by discussing the context of memorialization in Belfast’s City Centre, its role during the ‘Troubles’, and its subsequent urban redevelopment as a ‘shared space’. I then map out critical discussions around my methodological framework, which considers spatial storytelling, geographies of affect and walking methods as ways to engage urban heritage in cities that have experienced conflict. This is followed by observations from the walking go-along interviews, which include stories of physical residues, the psychosomatic legacies of conflict and ways the difficult memories factor into narratives in Belfast’s City Centre.
步行,讲故事和忧郁的幸存者:贝尔法斯特市中心的“麻烦”纪念活动
这篇文章探讨了在贝尔法斯特市中心散步和讲故事作为一种记忆模式的作用,这是一个“共享空间”,在很大程度上已经没有了北爱尔兰30年冲突的提醒,被称为“麻烦”。在北爱尔兰,纪念活动仍然是一个分裂和有争议的过程,有两种对立的叙事传统,缺乏共同的集体记忆。在缺乏国家主导和官方的“麻烦”纪念馆的情况下,我探索了城市遗产如何在运动中表达,通过城市中心基于地点的专业人士(城市规划师、建筑师、遗产从业者、艺术和社区团体)讲述的空间故事。特别是,我采用大卫·劳埃德的“忧郁的幸存者”的概念来描述冲突的记忆在我们讲述的故事中持续存在的方式,以及在我们通过步行和空间故事遇到的散落在市中心的小物理残留物中。我认为,与实地专业人士的访谈可以引出一种移动的纪念模式。我首先讨论了贝尔法斯特市中心纪念活动的背景,它在“麻烦”期间的角色,以及随后作为“共享空间”的城市重建。然后,我围绕我的方法论框架进行了批判性的讨论,该框架将空间叙事、情感地理和步行方法视为在经历过冲突的城市中参与城市遗产的方式。接下来是对步行采访的观察,其中包括身体残余物的故事,冲突的身心遗产,以及在贝尔法斯特市中心叙述困难记忆的方式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
3.50
自引率
12.50%
发文量
46
期刊介绍: Cultural Geographies has successfully built on Ecumene"s reputation for innovative, thoughtful and stylish contributions. This unique journal of cultural geographies will continue publishing scholarly research and provocative commentaries. The latest findings on the cultural appropriation and politics of: · Nature · Landscape · Environment · Place space The new look Cultural Geographies reflects the evolving nature of its subject matter. It is both a sub-disciplinary intervention and an interdisciplinary forum for the growing number of scholars or practitioners interested in the ways that people imagine, interpret, perform and transform their material and social environments.
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