Ages, Stories, Styles

N. S. Konstantinova
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引用次数: 0

Abstract

The contents of the next collection of the Institute of Art Studies from the series Problems of Ibero-American Art involuntarily invokes a premonition of a fascinating journey through different eras and subjects of Spanish culture: theatre, music, fine arts, social philosophy, literature of the Golden Age... The collection opens with an article by Vidas Sulinas, an expert on classical Spanish theatre. The author examines the time period from the last third of the 16th century to the beginning of the 18th century, tracing the change of three artistic styles — Renaissance, Mannerism and Baroque — using the example of the work of three classics of Spanish drama. To introduce readers to these works, the author gives brief reviews of the plots: at the heart of them is love, its mysteries, virtues and trials. The article raises a number of eternal problems of existence, including good and evil, reality and imagination and, finally, the eternally relevant motif of the artist and power. The second article written by Irina Kryazheva is devoted to the study of court musicians of Medieval Spain. The task is by no means simple, given the small number of sources. Their identification and subsequent scrupulous study are one of the undoubted advantages of the text. In the next article on percussion instruments of the Renaissance Spain, Maria Moiseeva recreates the widest palette of musical instruments of the era with their description and classification. Particular attention is paid to fruitful interaction between the European and Arab worlds. Denis Fedosov creates a voluminous canvas of church life in Catholic Spain through describing retablo as the center of artistic composition of a Spanish temple. These and other articles written by specialists make allowance for amateurs and welcome new readers. Overall, the collection turned out to be successful. First of all, due to the selection of authors. It is written professionally, which means it will be of interest to professionals, and for the same reason, along with the variety of content, it is also interesting for a wider audience.
年龄,故事,风格
从伊比利亚-美洲艺术问题系列中,艺术研究所的下一个收藏的内容不由自主地唤起了一种预感,即通过西班牙文化的不同时代和主题进行迷人的旅程:戏剧,音乐,美术,社会哲学,黄金时代的文学……该系列以西班牙古典戏剧专家维达斯·苏里纳斯(Vidas Sulinas)的一篇文章开篇。作者以西班牙戏剧的三部经典作品为例,考察了从16世纪后半叶到18世纪初这一时期,文艺复兴、矫饰主义和巴洛克三种艺术风格的变化。为了向读者介绍这些作品,作者简要回顾了这些作品的情节:它们的核心是爱,它的奥秘,美德和考验。这篇文章提出了一些关于存在的永恒问题,包括善与恶,现实与想象,最后,艺术家与权力的永恒主题。Irina Kryazheva写的第二篇文章是关于中世纪西班牙宫廷音乐家的研究。考虑到源的数量很少,这项任务绝不简单。他们的识别和随后的严谨研究是文本无疑的优势之一。在下一篇关于西班牙文艺复兴时期打击乐器的文章中,Maria Moiseeva通过对乐器的描述和分类,重现了那个时代最广泛的乐器调色板。特别注意的是欧洲和阿拉伯世界之间富有成效的互动。Denis Fedosov通过将retablo描述为西班牙神庙艺术构图的中心,创造了天主教西班牙教堂生活的大量画布。这些和其他由专家撰写的文章为业余爱好者提供了余地,并欢迎新的读者。总的来说,这个系列是成功的。首先,由于作者的选择。它是专业人士写的,这意味着它会引起专业人士的兴趣,出于同样的原因,随着内容的多样性,它也会引起更广泛的观众的兴趣。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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