On the a priori origin of creativity

Valeriya N. Ivanova, Vladimir A. Konev
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 Creativity is a specific human activity presenting a complex configuration of all the personal abilities and characteristics such as sensual and emotional states, intellect, imagination, personal and social characteristics, somatic features and the situationality. But there must be something that transforms all this ontic multitude into an ontologically significant creative event. This something is an a priori form of sensibility spatium (by Deleuze), a sense of the intensity of depth and capacity of space, which, like an attractor, starts the process of crystallization of the work of art. Any creative action (accomplished experience) reveals the deep connections of this particular situation, given here and now. Accomplishment is the very intense interaction of the agent with the material, the exchange of energies between the acting person and the environment, the synergy of a person and the world, where spatium (intuition of the depth and vitality of the situation) plays the role of an attractor, forcing the variety merge into a whole.
 Results. The a priori ability to contemplate the whole (spatium), inherent in human sensibility, is realized in specific historical and specific cultural forms of art in different ways. The article outlines the history of such an implementation.","PeriodicalId":484743,"journal":{"name":"Аспирантский вестник Поволжья","volume":"49 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Аспирантский вестник Поволжья","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.55531/2072-2354.2023.23.3.56-62","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
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Abstract

Aim to explore the nature of creativity as a synergistic process. Creativity is a specific human activity presenting a complex configuration of all the personal abilities and characteristics such as sensual and emotional states, intellect, imagination, personal and social characteristics, somatic features and the situationality. But there must be something that transforms all this ontic multitude into an ontologically significant creative event. This something is an a priori form of sensibility spatium (by Deleuze), a sense of the intensity of depth and capacity of space, which, like an attractor, starts the process of crystallization of the work of art. Any creative action (accomplished experience) reveals the deep connections of this particular situation, given here and now. Accomplishment is the very intense interaction of the agent with the material, the exchange of energies between the acting person and the environment, the synergy of a person and the world, where spatium (intuition of the depth and vitality of the situation) plays the role of an attractor, forcing the variety merge into a whole. Results. The a priori ability to contemplate the whole (spatium), inherent in human sensibility, is realized in specific historical and specific cultural forms of art in different ways. The article outlines the history of such an implementation.
论创造力的先天起源
旨在探索创造力作为一个协同过程的本质。 创造力是一种特定的人类活动,呈现出所有个人能力和特征的复杂配置,如感官和情感状态、智力、想象力、个人和社会特征、躯体特征和情境性。但一定有什么东西将所有这些本体的众多转化为具有本体意义的创造性事件。这个东西是一种先验形式的感性空间(德勒兹),一种对空间深度和容量的强度的感觉,它像一个吸引物,开始了艺术作品的结晶过程。任何创造性的行动(完成的体验)都揭示了此时此地特定情境的深层联系。成就是主体与物质的强烈互动,是行动者与环境的能量交换,是人与世界的协同,其中空间(对情境深度和活力的直觉)扮演着吸引者的角色,迫使多样性融合成一个整体。 结果。思考整体(空间)的先天能力是人类感性所固有的,在特定的历史和特定的文化艺术形式中以不同的方式实现。本文概述了这种实现的历史。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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