Transgression and New Media in the Study of Art

Roopesh Sitharan
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Abstract

This paper explores the effects of transgression in teaching caused by the operation of new media. Adapting Bell Hook’s argument on ‘teaching to transgress’ that articulates the necessity of freedom for the learning experience, the paper proceeds to critically examine such ‘transgressive freedom’ with the agency of new media in art education. It argues that while such transgression is well aligned with the freedom of independent thinking and criticality inherent to the radicality of learning art, such freedom in learning also permits the pedagogical intrusion of new media through the utilization of technology by students in a classroom. Having this as the foundation, the paper sets out to critically examine new media as a new form of radicality—one that not only perpetuates the radicality of art by breaching the distinction between learner and teacher but also begs for a reconfiguration of the discrepancy between human and non-human in education.
艺术研究中的越界与新媒体
本文探讨了新媒体的运作对教学中越轨行为的影响。本文改编了贝尔·胡克关于“越界教学”的论述,阐述了自由对于学习经验的必要性,并以新媒体在艺术教育中的作用对这种“越界自由”进行了批判性的审视。它认为,虽然这种越界与独立思考的自由和学习艺术的激进性所固有的批判性很好地结合在一起,但这种学习的自由也允许新媒体通过学生在课堂上使用技术来侵入教学。以此为基础,本文开始批判性地审视新媒体作为一种新的激进形式——它不仅通过打破学习者和教师之间的区别来延续艺术的激进性,而且还要求重新配置教育中人类与非人类之间的差异。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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