On Ethics and Accuracy of the Researcher: Problems of the Scientific Approach in the Article by P. A. Druzhinin on the Falsification of Manuscripts by A. A. Akhmatova
{"title":"On Ethics and Accuracy of the Researcher: Problems of the Scientific Approach in the Article by P. A. Druzhinin on the Falsification of Manuscripts by A. A. Akhmatova","authors":"Mikhail V. Seslavinskiy","doi":"10.25205/2713-3133-2023-3-144-173","DOIUrl":null,"url":null,"abstract":"The article is a response to the publication by P. A. Druzhinin “Falsification of Anna Akhmatovaʼs Manuscripts as an Actual Problem of Textual Criticism”, which evidently states the fallacy and bias of the authorʼs approach when discussing the authenticity or forgery of a number of Anna Andreevna Akhmatovaʼs manuscripts in private bibliophile collections. It is shown that P. A. Druzhinin often uses unverified information, not being a specialist in textual analysis and expertise of Akhmatovaʼs handwritten heritage. The main purpose of the response is to warn future researchers against using dubious methods of “auto-expertise”, which the author of this article resorts to. An assessment is also given to the archive of N. L. Dilaktorskaya (1914–1989) from the collection of the St. Petersburg bibliophile A. M. Lutsenko (1940–2008), who in Druzhininʼs article is presented as the owner of fake manuscripts by Akhmatova and their deliberate propagandist. It tells about the history of the formation of an extensive collection of Lutsenko (with a large number of autographs of the poet, acquired from various persons and under other circumstances, and the provenance and reputation of these inscripts is currently not questioned by anyone), about his acquisition of Dilaktorskayaʼs papers, as well as the evolution of the attitude towards them of A. M. Lutsenko as well as researchers of Anna Akhmatovaʼs creativity. It is emphasized that the negative opinion of the author of the response about the “Akhmatovaʼs manuscripts of Dilaktorskaya” was formed back in 2014, and on the basis of a thorough study of the composition of this Akhmatoviana (which still remains in the ownership of the Lutsenko family and hasn’t changed its owner, as opposed to the statements of P. A. Druzhinin). The distortions of the theses of the author of the response and other researchers on the topic under study are refuted. In addition, it is told about the collection of Akhmatovaʼs autographs in the possession of M. V. Seslavinskiy, which were included in the publication “Bibliophile wreath to Anna Akhmatova” (2014) and are not related to the “Akhmatova archive” by N. L. Dilaktorskaya from the collection of A. M. Lutsenko. A detailed textual analysis of an important controversial artifact known as the “Anna Akhmatova phone book” from the collection of Mikhail Viktorovich Ardov is presented.","PeriodicalId":493916,"journal":{"name":"Сюжетология и сюжетография","volume":"141 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Сюжетология и сюжетография","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.25205/2713-3133-2023-3-144-173","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
The article is a response to the publication by P. A. Druzhinin “Falsification of Anna Akhmatovaʼs Manuscripts as an Actual Problem of Textual Criticism”, which evidently states the fallacy and bias of the authorʼs approach when discussing the authenticity or forgery of a number of Anna Andreevna Akhmatovaʼs manuscripts in private bibliophile collections. It is shown that P. A. Druzhinin often uses unverified information, not being a specialist in textual analysis and expertise of Akhmatovaʼs handwritten heritage. The main purpose of the response is to warn future researchers against using dubious methods of “auto-expertise”, which the author of this article resorts to. An assessment is also given to the archive of N. L. Dilaktorskaya (1914–1989) from the collection of the St. Petersburg bibliophile A. M. Lutsenko (1940–2008), who in Druzhininʼs article is presented as the owner of fake manuscripts by Akhmatova and their deliberate propagandist. It tells about the history of the formation of an extensive collection of Lutsenko (with a large number of autographs of the poet, acquired from various persons and under other circumstances, and the provenance and reputation of these inscripts is currently not questioned by anyone), about his acquisition of Dilaktorskayaʼs papers, as well as the evolution of the attitude towards them of A. M. Lutsenko as well as researchers of Anna Akhmatovaʼs creativity. It is emphasized that the negative opinion of the author of the response about the “Akhmatovaʼs manuscripts of Dilaktorskaya” was formed back in 2014, and on the basis of a thorough study of the composition of this Akhmatoviana (which still remains in the ownership of the Lutsenko family and hasn’t changed its owner, as opposed to the statements of P. A. Druzhinin). The distortions of the theses of the author of the response and other researchers on the topic under study are refuted. In addition, it is told about the collection of Akhmatovaʼs autographs in the possession of M. V. Seslavinskiy, which were included in the publication “Bibliophile wreath to Anna Akhmatova” (2014) and are not related to the “Akhmatova archive” by N. L. Dilaktorskaya from the collection of A. M. Lutsenko. A detailed textual analysis of an important controversial artifact known as the “Anna Akhmatova phone book” from the collection of Mikhail Viktorovich Ardov is presented.
这篇文章是对p.a.德鲁日宁发表的《安娜·阿赫玛托娃手稿的伪造作为一个文本批评的实际问题》的回应,这篇文章明显表明了作者在讨论私人藏书家收藏的安娜·安德烈耶夫娜·阿赫玛托娃手稿的真实性或伪造时的方法的谬误和偏见。这表明,p.a.德鲁日宁经常使用未经证实的信息,而不是文本分析专家和阿赫玛托娃手写遗产的专业知识。回应的主要目的是警告未来的研究人员不要使用可疑的“自动专家”方法,这是本文作者所采用的方法。还对圣彼得堡藏书家A. M. Lutsenko(1940-2008)收藏的N. L. Dilaktorskaya(1914-1989)的档案进行了评估,在德鲁日宁的文章中,他被认为是阿赫玛托娃及其故意宣传者的假手稿的所有者。它讲述了卢岑科广泛收藏的形成历史(有大量诗人的签名,从不同的人和其他情况下获得,这些铭文的来源和声誉目前没有人质疑),关于他获得Dilaktorskaya的论文,以及a . M.卢岑科和安娜·阿赫玛托娃的创造力研究人员对这些论文的态度演变。值得强调的是,回复作者对“阿赫玛托娃的Dilaktorskaya手稿”的负面看法是在2014年形成的,并基于对该Akhmatoviana的组成的深入研究(它仍然在Lutsenko家族的所有权中,并且没有改变其所有者,与p.a. Druzhinin的声明相反)。反驳了回应作者和其他研究人员对所研究主题的论文的歪曲。此外,它还讲述了M. V. Seslavinskiy拥有的阿赫玛托娃的签名收藏,这些签名被收录在出版物“安娜·阿赫玛托娃的藏书家花环”(2014)中,与N. L. Dilaktorskaya从A. M. Lutsenko的收藏中收集的“阿赫玛托娃档案”无关。一个重要的有争议的文物被称为“安娜阿赫玛托娃电话簿”从米哈伊尔·维克托罗维奇·阿赫玛托娃的收集详细的文本分析。