M. Gorky in the Creative Mind of A. Platonov

Elena N. Proskurina
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Abstract

The subject of this article is the perception of creativity and personality of M. Gorky by A. Platonov. The methodological basis of the work is the motivic analysis of the texts of both authors, produced against the background of the study of the historical and literary context. The methodological basis of the work is the motivic analysis of the texts of both authors, carried out against the background of the study of the historical and literary context. The study is based on Platonov’s later articles “The First Date with A. M. Gorky” and “Pushkin and Gorky”, as well as his lyrical and philosophical poems in prose, created in the early 1920s. As analysis has shown, this corpus of early works clearly echoes Gorky’s early poem “The Man”. In it, the main motive, as in Platonov’s poems, is the motive of thought. However, creatively developing the main provisions of Gorky’s poem, Platonov does not blindly follow the unilinear logic of the pretext, but comprehends it in his characteristic manner of multi-vector movement of thought.
《高尔基在普拉托诺夫的创造性思维》
本文的主题是普拉托诺夫对高尔基的创造力和个性的看法。本书的方法论基础是在研究历史和文学语境的背景下,对两位作者的文本进行动机分析。本书的方法论基础是在研究历史和文学语境的背景下,对两位作者的文本进行动机分析。这项研究是基于柏拉图诺夫后来的文章《与A. M.高尔基的第一次约会》和《普希金与高尔基》,以及他在20世纪20年代早期创作的抒情和哲学散文。分析表明,这些早期作品的语料库明显与高尔基的早期诗歌《人》相呼应。在这首诗中,主要的动机,和柏拉图诺夫的诗一样,是思想的动机。然而,柏拉图诺夫创造性地发展了高尔基诗歌的主要条款,并没有盲目地遵循借口的线性逻辑,而是以他特有的多向量思想运动方式来理解它。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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