Kedudukan Karya Seni Digital dalam Sistem Non-Fungible Token (NFT) Terhadap Undang-Undang Nomor 28 Tahun 2014 tentang Hak Cipta

Gabriel Rhema Chrisnando
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Abstract

Non-fungible tokens (NFTs) make it easier for artists to utilize the moral and economic rights to their artworks in digital form. Unfortunately, the implementation of NFTs is still not accompanied by special regulations governing it. Law Number 28 of 2014 concerning Copyright can at least be a reference for its regulation because after all, one of the assets underlying the sale and purchase of NFTs is a work of art which is also protected by copyright. The purpose of this study is to analyze the position and legal protection of digital artworks in the NFT system from the perspective of Law Number 28 of 2014 concerning Copyright. This research uses a normative juridical approach method by taking secondary data sources and supporting data in the form of interviews with NFT creators which are then analyzed qualitatively. The results showed that digital artworks in the NFT system have the same position as works of art in general as they are also protected by copyright under Article 40 of Law Number 28 of 2014 concerning Copyright. However, there are several aspects in its implementation that are different from the Copyright Law, such as the royalty acquisition mechanism which is not based on a license agreement, but uses a smart contract which has become a default option offered in the NFT marketplace platform system. The NFT marketplace platform and the government exist as parties in charge of protecting copyright law.
数字艺术品在不可兑换代币(NFT)系统中的地位与 2014 年第 28 号版权法的冲突
不可替代代币(nft)使艺术家更容易以数字形式利用其艺术作品的道德和经济权利。不幸的是,nft的实施仍然没有附带专门的管理条例。2014年关于版权的第28号法律至少可以作为其监管的参考,因为毕竟,nft销售和购买的基础资产之一是艺术品,也受版权保护。本研究的目的是从2014年第28号版权法的角度来分析数字艺术品在NFT体系中的地位和法律保护。本研究采用规范性的司法方法,采用二手数据源和支持数据的形式与NFT创造者的访谈,然后进行定性分析。结果表明,NFT系统中的数字艺术作品与一般艺术作品具有相同的地位,因为它们也受到2014年第28号版权法第40条的版权保护。然而,它的实施有几个方面与《著作权法》不同,比如版税获取机制不是基于许可协议,而是使用智能合约,这已经成为NFT市场平台系统提供的默认选项。NFT市场平台和政府作为保护著作权法的主体存在。
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