The portrait of Dorian Gray as Narcissus' ID

Aleksei M. Zotov
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Abstract

Aim through the analysis of a fiction novel, to review contemporary social relations where narcissistic issues manifest themselves. The modern Homo Psychologicus, a human being of the end of the 20th and the beginning of the 21st century, more and more resembles the Narcissus captured by enthusiastic self-adoration. The extreme importance of how people demonstrate themselves in society, the escalated investments in personal image, claims of omnipotence and superpowers are combined with formalism and coldness, fear of human intimacy, shame and hiding one's own underside. The narcissistic problems have long ceased to be the domain of a psychoanalyst's office and have become a part of social relations. Oscar Wilde is one of those writers who timely reflected the underlying dynamics of the essence of interpersonal communication and intrapersonal interactions with one's soul. He demonstrated how our personal and collective narcissism is reinforced and becomes more and more apparent. His literary analysis is quite relevant to psychoanalysis, which emerged a little later, a method where the clinical study of narcissism came to occupy a key position, and later extended to the social sphere as well.
多里安·格雷作为那喀索斯的身份画像
目的通过对一部虚构小说的分析,回顾当代社会中自恋问题的表现。20世纪末21世纪初的现代人,越来越像被狂热的自我崇拜所捕获的那喀索斯。人们在社会中如何展示自己的极端重要性,对个人形象的不断升级的投资,无所不能和超能力的主张,与形式主义和冷漠、对人类亲密关系的恐惧、羞耻和隐藏自己的阴暗面结合在一起。自恋问题早已不再是精神分析学家办公室的领域,而已成为社会关系的一部分。奥斯卡·王尔德是那些及时反映了人际交往本质和与灵魂的内在互动的潜在动力的作家之一。他展示了我们个人和集体的自恋是如何被强化并变得越来越明显的。他的文学分析与精神分析密切相关,精神分析出现的时间稍晚,自恋的临床研究在精神分析中占据了关键地位,后来也扩展到社会领域。
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