Arap Kültürel Mirasında Ötekinin İmajı

İbrahim ALŞİBLİ
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Abstract

Imagology is a branch of comparative literature, especially concerned with cross-national perceptions and images as conveyed in literary discourse. The Arabic culture has undergone significant historical transformations, resulting in profound changes in perceptions of the "other." Various factors, including language, religion, and ethnicity, have contributed to the formation of diverse images of the "other" within Arab culture. The examination of the portrayal of other societies by a given culture falls within the domain of comparative literature, with imagology representing one of its branches. This research endeavors to investigate the image of the "other" in Arab culture. The significance of this research lies in its pursuit of analyzing the various manifestations of the "other" within the context of Arab culture. By adopting a comparative literature approach, it aims to explore the trajectories of interaction with the "other" and the evolution of their representation within Arab culture. By employing the methodological framework of comparative literature, this research seeks to shed light on the complex dynamics involved in the depiction of the "other" and its development in the Arab cultural milieu.
阿拉伯文化遗产中的他人形象
意象学是比较文学的一个分支,特别关注文学话语中所传达的跨国认知和形象。阿拉伯文化经历了重大的历史变革,导致对“他者”的看法发生了深刻的变化。各种因素,包括语言、宗教和种族,促成了阿拉伯文化中“他者”的不同形象的形成。研究特定文化对其他社会的描绘属于比较文学的范畴,意象学是比较文学的一个分支。本研究旨在探讨阿拉伯文化中“他者”的形象。本研究的意义在于分析阿拉伯文化背景下“他者”的各种表现形式。通过采用比较文学的方法,它旨在探索与“他者”互动的轨迹及其在阿拉伯文化中的表现演变。通过采用比较文学的方法论框架,本研究试图阐明在阿拉伯文化环境中描述“他者”及其发展所涉及的复杂动态。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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