(im)Material Geographies: From Poetics of Terraforming to Earth Scripts

Tymon Adamczewski
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引用次数: 1

Abstract

The article explores the work of two contemporary poets, Alice Oswald and J.R. Carpenter, with reference to the material and immaterial aspects of their poetic projects. It is argued that although disparate in their form, both artists’ works are linked by their interest in the environmental forces as (im)material manifestations of more-than-human agency. In this sense they can be seen as belonging to a longer and broader strain of poetic endeavours (like concrete poetry and land art) that struggle to problematise the relationship between form and meaning. The article also employs the notion of earth scripts which allows to see such poetic and artistic practices as forms of descriptions of the earth characterized by differing degrees of sensitivity to the environmental challenges posed by the Anthropocene.
材料地理学:从地球化的诗学到地球文字
本文探讨了两位当代诗人,爱丽丝·奥斯瓦尔德和j·r·卡彭特的作品,参考了他们的诗歌项目的物质和非物质方面。有人认为,尽管他们的形式不同,但两位艺术家的作品都是由他们对环境力量的兴趣联系在一起的,这是一种超越人类力量的(非)物质表现。从这个意义上说,它们可以被视为属于一个更长的和更广泛的诗歌努力(如具体的诗歌和土地艺术),努力解决形式和意义之间的关系问题。文章还采用了地球脚本的概念,它允许将这种诗意和艺术实践视为描述地球的形式,其特征是对人类世带来的环境挑战具有不同程度的敏感性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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