Kuşadası'ndaki Ilıcatepe'nin Kyklopien Duvarları Üzerine Düşünceler

Q1 Arts and Humanities
Gephyra Pub Date : 2023-09-21 DOI:10.37095/gephyra.1284559
Suat ATEŞLİER
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引用次数: 0

Abstract

Ilıcatepe, located right on the edge of the Kuşadası-Davutlar modern highway, covers an area of 540x315 meters and consists of limestone bedrock with a height of about 50 meters, and is surrounded by a wall built with Cyclopic stonework, which is understood to have been cut from its own bedrock. This masonry, which is not very common to see in Western Anatolia, attracted the attention of researchers who came to the hill, and some researchers suggested that the wall may belong to the 2nd millennium BC. The strategic importance of this hill, which is located on the slope of Mykale, which is considered by many researchers as Arinnanda, and 4 km away from Kadıkalesi, cannot be ignored. Although the walls built with monumental stones in Western Anatolia are generally approached with suspicion, considering the findings in the researches made in Caria in recent years, similar masonry known to exist in mainland Greece, Crete, Aegean Islands and Central Anatolia can be found in Western Anatolia. It is very natural to come across. Although the walls built with monumental stones in the Archaic Period are known in Western Anatolia, the juxtaposition of the stones, the filling of the gaps between the stones, and the differences in the type and material of the masonry tools used help in the dating of the walls. Historical events in the immediate vicinity of Ilıcatepe increase the strategic importance of the hill. The expedition organised by the Hittite king Murshili II (1322-1298 BC) against the Arzawa Country in Western Anatolia is very important in terms of our knowledge of the geography of the region. In the third year of his reign after becoming the Hittite king, Murshili II marched on Arzawa on the pretext of the non-return of the Hattian refugees who fled from the Hittite lands to the Arzawa Kingdom. At that time, Uhhaziti was at the head of the Arzawa Kingdom. The route of Murshili II during the said campaign started from the land of Hatti and ended in the country of Arzawa and the Aegean coast. The Hittite army under the command of Murshili II followed certain routes and arrived at its final destination, Mount Arinnanda. Based on the king's account of this campaign, it is understood that some of the Arzawans fled to the Aegean islands before the Hittite army arrived. The records indicate that those who did not flee to the Aegean islands ascended Mount Arinnanda, took refuge in Puranda, which is understood to be a fortified centre, and prepared for war there. The passages in which Murshili II describes his struggle with those who fled to Mount Arinnanda are quite remarkable.
对库萨达西伊勒卡特佩独眼巨人墙的思考
Ilıcatepe位于Kuşadası-Davutlar现代高速公路的边缘,占地540 × 315米,由石灰石基岩组成,高度约为50米,周围环绕着一堵用独眼石雕成的墙,据了解,这堵墙是从自己的基岩上凿下来的。这种砖石结构,在安纳托利亚西部并不常见,吸引了来到山上的研究人员的注意,一些研究人员认为这堵墙可能属于公元前2000年。这座山位于Mykale的斜坡上,被许多研究人员认为是Arinnanda,距离Kadıkalesi有4公里,其战略重要性不容忽视。尽管人们对西安纳托利亚用纪念碑砌成的城墙普遍持怀疑态度,但考虑到近年来在卡里亚的研究发现,在西安纳托利亚可以找到类似的砖石,这些砖石已知存在于希腊大陆、克里特岛、爱琴海群岛和安纳托利亚中部。这是很自然的。尽管在安纳托利亚西部,人们知道用古代时期的纪念性石头建造的城墙,但石头的并列、石头之间空隙的填充物,以及所使用的砖石工具的类型和材料的差异,都有助于确定城墙的年代。Ilıcatepe附近的历史事件增加了这座山的战略重要性。赫梯国王穆尔西利二世(公元前1322-1298年)组织的对安纳托利亚西部阿尔扎瓦国的远征对我们了解该地区的地理知识非常重要。在他成为赫梯国王后的第三年,穆尔西利二世以不让从赫梯土地逃到阿尔扎瓦王国的哈田难民返回为借口,向阿尔扎瓦进军。当时,乌哈兹提是阿尔扎瓦王国的首领。在上述战役中,穆尔西利二世的路线从哈提地开始,结束于阿尔扎瓦国和爱琴海海岸。在穆尔希利二世的指挥下,赫梯军队沿着一定的路线到达了最终目的地——阿瑞南达山。根据国王对这次战役的描述,可以理解,在赫梯军队到达之前,一些阿尔扎瓦人逃到了爱琴海岛屿。记录表明,那些没有逃到爱琴海岛屿的人登上了阿林南达山,在普朗达避难,那里被认为是一个防御中心,并在那里准备战争。穆尔西利二世描述他与那些逃到阿里南达山的人的斗争的段落相当引人注目。
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来源期刊
Gephyra
Gephyra Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.70
自引率
0.00%
发文量
7
审稿时长
12 weeks
期刊介绍: Gephyra - a Journal for the Ancient History and Cultures of the Eastern Mediterranean - is an open access publication platform for articles from all fields of research into Asia Minor and the Eastern Mediterranean, insofar as they shed new light on the history and culture of this geographical and historical region. Scope: Epigraphic, archaeological, numismatic and art historical contributions, commented and evaluated material presentations, as well as historical reflections and essays are all equally welcome.
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