Phantom in the Landscape

IF 0.3 3区 艺术学 0 ART
Archana Hande
{"title":"Phantom in the Landscape","authors":"Archana Hande","doi":"10.1080/09528822.2023.2253088","DOIUrl":null,"url":null,"abstract":"AbstractThe body of artworks entitled The Golden Feral Trail emerges out of my journeys tracing the relationship between South Asia and Western Australia (WA). Linked by trade and migration flows since the early 1800s, the trail unfolds along the Gold Rush in WA and the detritus it has left behind. Drawing upon visits to cemeteries, abandoned graves, deserted mining pits, ghost towns as well as on institutional archives, oral histories and personal photo albums in WA, I collected traces of the South Asian cameleers and traders, referred to as ‘Afghans’. A shorthand for very diverse nomadic sects found in British records, together with local Wongutha ‘Afghans’ led British explorers in their gold exploration missions into the outback. This article argues that much has gone feral in the contemporary Australian landscape, including seeds, animals, abandoned mines and mining towns. The Golden Feral Trail – a history of nomadic economy, loss and erasure – runs beneath the Australian red soil. What is left on the surface is landscape phantoms.Keywords: Archana HandeCameleersPhantomFeralAfghanNomadicAbandonmentGhost-TownsSouth AsiaWestern AustraliaCalcutta PortCamel-trading AcknowledgementI am grateful to the following people and institutions for their support to my research: Rucha Vibhuti, Christine Boase, Doreen Harris, Laurinda Hill, Julie Ovans, Tegan Dodd, Joanna Seczkowski, Elli Hill, Annette Nykiel, Ann Delroy, Ian Day, Spaced 2 Future recall, International Art Space (WA), LLCCA: Laverton – Leonora Cross Cultural Association, (WA), Asialink, Melbourne, http://www.cameleers.net/, Australia’s Muslim Cameleers, pioneers of the inland, 1860s – 1930s, Eastern Goldfield Historical society, State Library of Western Australia, Battye Library, Eastern Goldfield Historical society, Shire of Laverton Archives, Poseidon Nickel Ltd, Windarra Nickel Project, Western Mining Corp, Laverton Public Library, Laverton Community Resource Center, Western Australian Museum, Western Australian Museum Kalgoorlie Boulder, WA Museum (Dwyer collection), and the Local History Archives, City of Kalgoorlie-Boulder.Notes1 The Phantom, The ghost who walks, https://thephantom.fan/2 The ‘Ghost Who Walks’, also known as ‘The Phantom’, is a character who operates from the fictional country of Bangalla. Lee Falk created the character for the adventure comic strip The Phantom, which debuted in newspapers on 17 February, 1936. 3 ‘Horses and Camels’, https://depts.washington.edu/silkroad/exhibit/trade/horcamae.html, accessed 15 May 20234 Alexander Cook, Andrew Reeves, Iain McCalman, eds, Gold: Forgotten Histories and Lost Objects of Australia, Cambridge University Press, Cambridge, 20115 Paul Kelly, Kev Carmody and Maireah Hanna, ‘This Land is Mine’, from One Night the Moon [soundtrack], MusicArtsDance films, Sydney, 20116 ‘The Desert Frontier: A History of Travel and Nomadism’, https://www.sahapedia.org/the-desert-frontier-history-of-travel-and-nomadism, accessed 15 May 20237 Stephanie Jones, Two Centuries of Overseas Trading: The Origins and Growth of the Inchcape Group, Macmillan, London, 1986; Stephanie Jones, Merchants of the Raj British Managing Agency Houses in Calcutta Yesterday and Today, Macmillan, Basingstoke, 1992; Samia Khatun, Australianama: The South Asian Odyssey in Australia, C Hurst & Co (Publishers) Ltd, London, 2018; Samia Khatun, ‘The Book of Marriage: Histories of Muslim Women in Australia’, Gender & History 29, April 20178 ‘Wongutha’ (the spelling used by the family I interviewed for the article) refers to a language and identity of eight Aboriginal Australian people of the Eastern Goldfields region. It is also written as Wangkatha, Wongutha, Wankatja, Wongi and Wangai.9 ‘Welcome to the Shire of Laverton’, https://www.laverton.wa.gov.au/welcome.aspx, accessed 21 April 202310 ‘Only Planet – Archanadevi Travels – A Tourist Guide’, https://archanadevitravels.blogspot.com/2013/09/olr-site-1.html, accessed 15 May 202311 In Australia ‘the bushes’ refers to a natural, undeveloped area. The fauna and flora contained within this area is indigenous to the region although exotic species will often also be present.12 ‘History of the Muslim Cameleers of Australia’, video, https://www.youtube.com/watch?v=buMLmCBzNSs, accessed 15 May 202313 ‘Welcome to the Shire of Laverton. Discover the Outback Spirit’, https://www.laverton.wa.gov.au/welcome.aspx, accessed 15 May 202314 Philip Jones, Anna Kenny, South Australian Museum, America’s Muslim Cameleers: Pioneers of the Inland, 1860s–1930s, Wakefield Press, Adelaide, revised edition 201015 Ibid16 National Archives of Australia, https://www.naa.gov.au/17 State Library of Western Australia, https://slwa.wa.gov.au/18 ‘Britain’s First War in Afghanistan: What Happened and Why’, https://www.historyextra.com/period/victorian/a-familiar-tragedy-britains-first-war-in-afghanistan/; ‘First Afghan War’, National Army Museum, https://www.nam.ac.uk/explore/first-afghan-war19 Zinnia Ray Chaudhuri, ‘For 18th Century Painters, Indian Port Cities Calcutta, Bombay and Madras Held a Very Special Place’, 30 October 2017, https://scroll.in/magazine/855352/for-18th-century-painters-indian-port-cities-calcutta-bombay-and-madras-held-a-very-special-place, accessed 15 May 202320 ‘Brief History of KoPT’, Syama Prasad Mookerjee Port, Kolkata, 2014, https://smportkolkata.shipping.gov.in/index1.php?layout=1&lang=1&level=1&sublinkid=1429&lid=563, accessed 15 May 202321 Local Wongutha do not eat camels but forage for Emu eggs.22 ‘Only Planet – Archanadevi Travels – A Tourist Guide’, https://archanadevitravels.blogspot.com/2013/12/the-camel-feral.html23 Nathan Morris, ‘Black Mum, White Mum: Recordings Capture a Nomadic Indigenous Life Roaming the WA Desert, ABC News, https://www.abc.net.au/news/2017-11-15/dimple-sullivan-roaming-the-desert-and-running-from-police/9144690, accessed 15 May 202324 ‘Cremation of a Sikh’, The Register, Adelaide, 5 May 1903, https://trove.nla.gov.au/newspaper/article/5542929025 Mary R Terszak, Orphaned by the Colour of My Skin, A Stolen Generation Story, Verdant House, Maleny, 200826 Philip Jones and Anna Kenny, Australia's Muslim Cameleers, op cit","PeriodicalId":45739,"journal":{"name":"Third Text","volume":"55 4","pages":"0"},"PeriodicalIF":0.3000,"publicationDate":"2023-10-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Third Text","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/09528822.2023.2253088","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
引用次数: 0

Abstract

AbstractThe body of artworks entitled The Golden Feral Trail emerges out of my journeys tracing the relationship between South Asia and Western Australia (WA). Linked by trade and migration flows since the early 1800s, the trail unfolds along the Gold Rush in WA and the detritus it has left behind. Drawing upon visits to cemeteries, abandoned graves, deserted mining pits, ghost towns as well as on institutional archives, oral histories and personal photo albums in WA, I collected traces of the South Asian cameleers and traders, referred to as ‘Afghans’. A shorthand for very diverse nomadic sects found in British records, together with local Wongutha ‘Afghans’ led British explorers in their gold exploration missions into the outback. This article argues that much has gone feral in the contemporary Australian landscape, including seeds, animals, abandoned mines and mining towns. The Golden Feral Trail – a history of nomadic economy, loss and erasure – runs beneath the Australian red soil. What is left on the surface is landscape phantoms.Keywords: Archana HandeCameleersPhantomFeralAfghanNomadicAbandonmentGhost-TownsSouth AsiaWestern AustraliaCalcutta PortCamel-trading AcknowledgementI am grateful to the following people and institutions for their support to my research: Rucha Vibhuti, Christine Boase, Doreen Harris, Laurinda Hill, Julie Ovans, Tegan Dodd, Joanna Seczkowski, Elli Hill, Annette Nykiel, Ann Delroy, Ian Day, Spaced 2 Future recall, International Art Space (WA), LLCCA: Laverton – Leonora Cross Cultural Association, (WA), Asialink, Melbourne, http://www.cameleers.net/, Australia’s Muslim Cameleers, pioneers of the inland, 1860s – 1930s, Eastern Goldfield Historical society, State Library of Western Australia, Battye Library, Eastern Goldfield Historical society, Shire of Laverton Archives, Poseidon Nickel Ltd, Windarra Nickel Project, Western Mining Corp, Laverton Public Library, Laverton Community Resource Center, Western Australian Museum, Western Australian Museum Kalgoorlie Boulder, WA Museum (Dwyer collection), and the Local History Archives, City of Kalgoorlie-Boulder.Notes1 The Phantom, The ghost who walks, https://thephantom.fan/2 The ‘Ghost Who Walks’, also known as ‘The Phantom’, is a character who operates from the fictional country of Bangalla. Lee Falk created the character for the adventure comic strip The Phantom, which debuted in newspapers on 17 February, 1936. 3 ‘Horses and Camels’, https://depts.washington.edu/silkroad/exhibit/trade/horcamae.html, accessed 15 May 20234 Alexander Cook, Andrew Reeves, Iain McCalman, eds, Gold: Forgotten Histories and Lost Objects of Australia, Cambridge University Press, Cambridge, 20115 Paul Kelly, Kev Carmody and Maireah Hanna, ‘This Land is Mine’, from One Night the Moon [soundtrack], MusicArtsDance films, Sydney, 20116 ‘The Desert Frontier: A History of Travel and Nomadism’, https://www.sahapedia.org/the-desert-frontier-history-of-travel-and-nomadism, accessed 15 May 20237 Stephanie Jones, Two Centuries of Overseas Trading: The Origins and Growth of the Inchcape Group, Macmillan, London, 1986; Stephanie Jones, Merchants of the Raj British Managing Agency Houses in Calcutta Yesterday and Today, Macmillan, Basingstoke, 1992; Samia Khatun, Australianama: The South Asian Odyssey in Australia, C Hurst & Co (Publishers) Ltd, London, 2018; Samia Khatun, ‘The Book of Marriage: Histories of Muslim Women in Australia’, Gender & History 29, April 20178 ‘Wongutha’ (the spelling used by the family I interviewed for the article) refers to a language and identity of eight Aboriginal Australian people of the Eastern Goldfields region. It is also written as Wangkatha, Wongutha, Wankatja, Wongi and Wangai.9 ‘Welcome to the Shire of Laverton’, https://www.laverton.wa.gov.au/welcome.aspx, accessed 21 April 202310 ‘Only Planet – Archanadevi Travels – A Tourist Guide’, https://archanadevitravels.blogspot.com/2013/09/olr-site-1.html, accessed 15 May 202311 In Australia ‘the bushes’ refers to a natural, undeveloped area. The fauna and flora contained within this area is indigenous to the region although exotic species will often also be present.12 ‘History of the Muslim Cameleers of Australia’, video, https://www.youtube.com/watch?v=buMLmCBzNSs, accessed 15 May 202313 ‘Welcome to the Shire of Laverton. Discover the Outback Spirit’, https://www.laverton.wa.gov.au/welcome.aspx, accessed 15 May 202314 Philip Jones, Anna Kenny, South Australian Museum, America’s Muslim Cameleers: Pioneers of the Inland, 1860s–1930s, Wakefield Press, Adelaide, revised edition 201015 Ibid16 National Archives of Australia, https://www.naa.gov.au/17 State Library of Western Australia, https://slwa.wa.gov.au/18 ‘Britain’s First War in Afghanistan: What Happened and Why’, https://www.historyextra.com/period/victorian/a-familiar-tragedy-britains-first-war-in-afghanistan/; ‘First Afghan War’, National Army Museum, https://www.nam.ac.uk/explore/first-afghan-war19 Zinnia Ray Chaudhuri, ‘For 18th Century Painters, Indian Port Cities Calcutta, Bombay and Madras Held a Very Special Place’, 30 October 2017, https://scroll.in/magazine/855352/for-18th-century-painters-indian-port-cities-calcutta-bombay-and-madras-held-a-very-special-place, accessed 15 May 202320 ‘Brief History of KoPT’, Syama Prasad Mookerjee Port, Kolkata, 2014, https://smportkolkata.shipping.gov.in/index1.php?layout=1&lang=1&level=1&sublinkid=1429&lid=563, accessed 15 May 202321 Local Wongutha do not eat camels but forage for Emu eggs.22 ‘Only Planet – Archanadevi Travels – A Tourist Guide’, https://archanadevitravels.blogspot.com/2013/12/the-camel-feral.html23 Nathan Morris, ‘Black Mum, White Mum: Recordings Capture a Nomadic Indigenous Life Roaming the WA Desert, ABC News, https://www.abc.net.au/news/2017-11-15/dimple-sullivan-roaming-the-desert-and-running-from-police/9144690, accessed 15 May 202324 ‘Cremation of a Sikh’, The Register, Adelaide, 5 May 1903, https://trove.nla.gov.au/newspaper/article/5542929025 Mary R Terszak, Orphaned by the Colour of My Skin, A Stolen Generation Story, Verdant House, Maleny, 200826 Philip Jones and Anna Kenny, Australia's Muslim Cameleers, op cit
风景中的幻影
【摘要】这组名为《金色野性之路》(The Golden Feral Trail)的作品是我追踪南亚与西澳大利亚关系的旅程的产物。自19世纪初以来,贸易和移民流动将这条小径联系在一起,沿着西澳的淘金热和它留下的碎石展开。通过参观墓地、废弃的坟墓、废弃的矿坑、鬼城以及西澳的机构档案、口述历史和个人相册,我收集了南亚骆驼贩子和商人的踪迹,这些人被称为“阿富汗人”。在英国的记录中发现了一个非常多样化的游牧教派的缩写,连同当地的旺古塔“阿富汗人”一起带领英国探险家在他们的黄金勘探任务中进入内陆。这篇文章认为,在当代澳大利亚的景观中,包括种子、动物、废弃的矿山和采矿城镇,很多东西都变得野性了。金色的野性之路——一部游牧经济、损失和毁灭的历史——在澳大利亚红色的土壤下流淌。表面上留下的是景观幻影。感谢以下人士和机构对我研究的支持:Rucha Vibhuti、Christine Boase、Doreen Harris、Laurinda Hill、Julie Ovans、Tegan Dodd、Joanna Seczkowski、Elli Hill、Annette Nykiel、Ann Delroy、Ian Day、Spaced 2 Future recall、International Art Space (WA)、LLCCA。拉弗顿-利奥诺拉跨文化协会,(西澳),Asialink,墨尔本,http://www.cameleers.net/,澳大利亚的穆斯林牧民,内陆拓荒者,19世纪60年代至30年代,东金矿历史学会,西澳大利亚州立图书馆,巴特耶图书馆,东金矿历史学会,拉弗顿郡档案馆,波塞冬镍业有限公司,温达拉镍业项目,西部矿业公司,拉弗顿公共图书馆,拉弗顿社区资源中心,西澳大利亚博物馆,西澳大利亚博物馆卡尔古利博尔德,西澳大利亚博物馆(德怀尔收藏)和当地历史档案,卡尔古利博尔德市。注释1幽灵,行走的幽灵,https://thephantom.fan/2“行走的幽灵”,也被称为“幽灵”,是一个在虚构的邦加拉国家活动的角色。李·福尔克为1936年2月17日在报纸上首次亮相的冒险漫画《幽灵》创造了这个角色。3“马和骆驼”,https://depts.washington.edu/silkroad/exhibit/trade/horcamae.html,访问20234年5月15日亚历山大·库克,安德鲁·里夫斯,伊恩·麦卡尔曼,编辑,黄金:澳大利亚被遗忘的历史和丢失的物品,剑桥大学出版社,剑桥,2015年保罗·凯利,凯文·卡莫迪和迈莉亚·汉娜,“这片土地是我的”,从一个夜晚的月亮[配乐],音乐艺术舞蹈电影,悉尼,2016年“沙漠边境:斯蒂芬妮·琼斯:《两个世纪的海外贸易:印奇开普集团的起源和发展》,麦克米伦出版社,伦敦,1986年;斯蒂芬妮·琼斯,《拉吉商人在加尔各答的英国经纪公司昨天和今天》,麦克米伦,贝辛斯托克,1992年;《澳大利亚人:澳大利亚的南亚奥德赛》,C Hurst & Co (Publishers) Ltd,伦敦,2018;Samia Khatun,“婚姻之书:澳大利亚穆斯林妇女的历史”,性别与历史,2017年4月29日。“Wongutha”(我为这篇文章采访的家庭使用的拼写)指的是东部金矿地区8名澳大利亚原住民的语言和身份。它也被写为Wangkatha, Wongutha, Wankatja, Wongi和Wangai.9“欢迎来到拉弗顿郡”,https://www.laverton.wa.gov.au/welcome.aspx,于202310年4月21日访问。“唯一的星球- Archanadevi旅行-旅游指南”,https://archanadevitravels.blogspot.com/2013/09/olr-site-1.html,于202311年5月15日访问。在澳大利亚,“灌木丛”指的是自然的,未开发的地区。这个区域内的动植物是该地区的土著物种,尽管外来物种也经常存在。12“澳大利亚穆斯林骆驼人的历史”,视频,https://www.youtube.com/watch?v=buMLmCBzNSs, 2013年5月15日访问“欢迎来到拉弗顿郡。发现内陆精神”,https://www.laverton.wa.gov.au/welcome.aspx, 202314年5月15日访问菲利普·琼斯,安娜·肯尼,南澳大利亚博物馆,美国的穆斯林骆驼:内陆的先驱,19世纪60年代至30年代,韦克菲尔德出版社,阿德莱德,修订版201015同上16澳大利亚国家档案馆,https://www.naa.gov.au/17西澳大利亚国家图书馆,https://slwa.wa.gov.au/18“英国在阿富汗的第一次战争:发生了什么和为什么”,https://www.historyextra.com/period/victorian/a-familiar-tragedy-britains-first-war-in-afghanistan/;“第一次阿富汗战争”,国家军队博物馆,https://www.nam.ac。 Zinnia Ray Chaudhuri,“对于18世纪的画家,印度港口城市加尔各答、孟买和马德拉斯有着非常特殊的地位”,2017年10月30日,https://scroll.in/magazine/855352/for-18th-century-painters-indian-port-cities-calcutta-bombay-and-madras-held-a-very-special-place, 202320年5月15日访问,“KoPT的简要历史”,Syama Prasad Mookerjee港口,加尔各答,2014年,https://smportkolkata.shipping.gov.in/index1.php?layout=1&lang=1&level=1&sublinkid=1429&lid=563。当地的旺古塔人不吃骆驼,但觅食鸸鹋蛋。22《唯一的星球-阿卡纳黛维旅行-旅游指南》,https://archanadevitravels.blogspot.com/2013/12/the-camel-feral.html23内森·莫里斯,《黑妈妈,白妈妈:录音捕获一个游牧生活自主漫游佤邦沙漠,ABC新闻,https://www.abc.net.au/news/2017-11-15/dimple-sullivan-roaming-the-desert-and-running-from-police/9144690, 202324年5月15日通过“火葬的锡克教徒”,注册,阿德莱德,1903年5月5日,https://trove.nla.gov.au/newspaper/article/5542929025玛丽R Terszak,孤儿,我的皮肤的颜色,一个“被偷走的一代”的故事,翠绿的房子,Maleny, 200826年菲利普·琼斯和安娜·肯尼澳大利亚穆斯林骆驼骑兵,op cit
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 求助全文
来源期刊
Third Text
Third Text ART-
CiteScore
0.40
自引率
0.00%
发文量
39
期刊介绍: Third Text is an international scholarly journal dedicated to providing critical perspectives on art and visual culture. The journal examines the theoretical and historical ground by which the West legitimises its position as the ultimate arbiter of what is significant within this field. Established in 1987, the journal provides a forum for the discussion and (re)appraisal of theory and practice of art, art history and criticism, and the work of artists hitherto marginalised through racial, gender, religious and cultural differences. Dealing with diversity of art practices - visual arts, sculpture, installation, performance, photography, video and film.
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信