Performative Practice and Sculpture: The GAZ Art Group (Ukraine)

Iryna Yatsyk
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Abstract

The paper examines the works of the GAZ art group, a Ukrainian creative duo of Vasyl Grublyak and Oleksii Zolotar1. In the context of modern art in Ukraine, their pieces exemplify the relationship between two genres of art: performance and sculpture. The main conceptual principles of the art actions RuTyna (2014), Ritual of Approval (2014, 2015), Armory Room (2014), and their practical implementation were considered; interpretation options were suggested. It was hypothesized that despite the obvious socially-critical orientation of the GAZ group’s art actions, the ideas of experimenting with space and analysis of its transformations are at the essence of their creativity. The connection between the artistic activity of the GAZ group and the current sociopolitical context was established, with a perspective for interdisciplinary study within the academic programs of spatial art, aimed at exploring a wide range of options of three-dimensional form, including installation art, sculpture, performance art, multimedia, and digital production
行为实践与雕塑:GAZ艺术集团(乌克兰)
本文考察了由Vasyl Grublyak和Oleksii Zolotar1组成的乌克兰创意二人组GAZ艺术团体的作品。在乌克兰现代艺术的背景下,他们的作品体现了两种艺术类型之间的关系:表演和雕塑。考察了《RuTyna》(2014)、《Ritual of Approval》(2014、2015)、《Armory Room》(2014)等艺术行为的主要概念原则及其实际实施;提出了口译备选办法。有人假设,尽管GAZ团体的艺术行为具有明显的社会批判倾向,但对空间的实验和对其转变的分析是他们创造力的本质。GAZ团体的艺术活动与当前的社会政治背景之间建立了联系,在空间艺术的学术项目中进行跨学科研究,旨在探索三维形式的广泛选择,包括装置艺术、雕塑、行为艺术、多媒体和数字制作
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