The Field Which Had Been a Meadow Once, and: Epicurus
IF 0.1
4区 文学
0 LITERARY REVIEWS
John James
{"title":"The Field Which Had Been a Meadow Once, and: Epicurus","authors":"John James","doi":"10.1353/ner.2023.a908938","DOIUrl":null,"url":null,"abstract":"The Field Which Had Been a Meadow Once, and: Epicurus John James (bio) The Field Which Had Been a Meadow Once Gently the cherryblossoms shake they shake. The limbsbend this way &the flowers do not return.They revolutein ion air. It lifts itlifts. The dirt is callous now.Desiccated sothat when I lookout over the plainwhat registers is a palimpsestof dried foliage, phantomicstumps of withered oaksemerging likesheared corn from the furrows& the flat, uneven ashwhere grapevines used to be.Often I am permitted.The oak trees lose their form.Often I am permittedto project this image.Barn swallows swirl. Theylift they—Lifeexpands, absorbs. It tendsin directionsalmost infinite. (In sunkgutters of abandoned houses,in breaks between concrete squares.)Often I return tothis field which had beena meadow once, whichlike a mine in the mindrases the eternal pastureI still call home. My body [End Page 8] ages now. The grassblows east toward the sourceof the sun. In ion air it lifts. It isno dream. Still the saplingsusher from the uneven earth.Still the worm turns.The wind still moves in concertwith the few shaking leaves, which stillphotosynthesize in thisunmoving afternoon. [End Page 9] Epicurus died of kidney stonesafter an illness of fourteen days.According to Hermippushe climbed into a bronze bath,requested wine, and \"tossed it back.\"He soaked his legs and, sated,watched soap amass in beady rivuletsacross his limbs and hardened chest,traced on his thigh an arrow-shaped scar which, in the narrow light,called to mind Ulysses. Nothingcomes into being from what is not.The totality of things has always beenjust as it is now. His kidney swelledto the size of a balloon. Body and void,widening void. This was a good death.Sudden fissure in the wire of the systemof filtration. Rupture in the soul'smachine. A perfect, terrifying simulacrumof another ordinary wound. [End Page 10] John James John James is the author of The Milk Hours (Milkweed, 2019), selected by Henri Cole for the Max Ritvo Poetry Prize, as well as two chapbooks, most recently Winter, Glossolalia (Black Spring, 2022). His poems appear in Boston Review, Kenyon Review, Gulf Coast, PEN Poetry Series, Best American Poetry, and elsewhere. His work has been supported by the Bread Loaf Environmental Writers' Conference, the Academy of American Poets, and the Lannan Center for Poetics and Social Practice at Georgetown University. He holds an MFA from Columbia and is completing a PhD in English at the University of California, Berkeley. Copyright © 2023 Middlebury College","PeriodicalId":41449,"journal":{"name":"NEW ENGLAND REVIEW-MIDDLEBURY SERIES","volume":"15 1","pages":"0"},"PeriodicalIF":0.1000,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"NEW ENGLAND REVIEW-MIDDLEBURY SERIES","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/ner.2023.a908938","RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERARY REVIEWS","Score":null,"Total":0}
引用次数: 0
Abstract
The Field Which Had Been a Meadow Once, and: Epicurus John James (bio) The Field Which Had Been a Meadow Once Gently the cherryblossoms shake they shake. The limbsbend this way &the flowers do not return.They revolutein ion air. It lifts itlifts. The dirt is callous now.Desiccated sothat when I lookout over the plainwhat registers is a palimpsestof dried foliage, phantomicstumps of withered oaksemerging likesheared corn from the furrows& the flat, uneven ashwhere grapevines used to be.Often I am permitted.The oak trees lose their form.Often I am permittedto project this image.Barn swallows swirl. Theylift they—Lifeexpands, absorbs. It tendsin directionsalmost infinite. (In sunkgutters of abandoned houses,in breaks between concrete squares.)Often I return tothis field which had beena meadow once, whichlike a mine in the mindrases the eternal pastureI still call home. My body [End Page 8] ages now. The grassblows east toward the sourceof the sun. In ion air it lifts. It isno dream. Still the saplingsusher from the uneven earth.Still the worm turns.The wind still moves in concertwith the few shaking leaves, which stillphotosynthesize in thisunmoving afternoon. [End Page 9] Epicurus died of kidney stonesafter an illness of fourteen days.According to Hermippushe climbed into a bronze bath,requested wine, and "tossed it back."He soaked his legs and, sated,watched soap amass in beady rivuletsacross his limbs and hardened chest,traced on his thigh an arrow-shaped scar which, in the narrow light,called to mind Ulysses. Nothingcomes into being from what is not.The totality of things has always beenjust as it is now. His kidney swelledto the size of a balloon. Body and void,widening void. This was a good death.Sudden fissure in the wire of the systemof filtration. Rupture in the soul'smachine. A perfect, terrifying simulacrumof another ordinary wound. [End Page 10] John James John James is the author of The Milk Hours (Milkweed, 2019), selected by Henri Cole for the Max Ritvo Poetry Prize, as well as two chapbooks, most recently Winter, Glossolalia (Black Spring, 2022). His poems appear in Boston Review, Kenyon Review, Gulf Coast, PEN Poetry Series, Best American Poetry, and elsewhere. His work has been supported by the Bread Loaf Environmental Writers' Conference, the Academy of American Poets, and the Lannan Center for Poetics and Social Practice at Georgetown University. He holds an MFA from Columbia and is completing a PhD in English at the University of California, Berkeley. Copyright © 2023 Middlebury College
《曾经是草地的田野》和《伊壁鸠鲁》
《曾经是草地的田野》和《伊壁鸠鲁约翰·詹姆斯(传记)曾经是草地的田野》樱花轻轻地摇着,它们摇着。四肢这样弯曲,花儿不会再回来。它们使空气旋转。它把它举起来。这泥土现在变得坚硬了。当我望向平原时,看到的是一堆干枯的树叶,枯萎的橡树的树桩,像被割过的玉米从犁沟里冒出来,在葡萄藤曾经生长的平坦不平的灰烬里。我经常被允许。橡树失去了形状。我经常被允许投射这种形象。谷仓里的燕子盘旋着。他们举起他们——生命扩张,吸收。它的方向几乎是无限的。(在废弃房屋下沉的排水沟里,在混凝土广场之间的空隙里。)我常常回到这片曾经是草地的田野,它像我心中的矿山一样,是我仍然称之为家的永恒的牧场。我的身体现在老了。草向太阳的源头东吹。在离子空气中它会上升。这不是梦。树苗依然从凹凸不平的地面上长出来。虫子还在转动。风依旧和那几片颤抖的树叶一起移动,在这个静止的下午,它们还在进行光合作用。伊壁鸠鲁在病了14天后死于肾结石。据赫米普什说,他爬进一个青铜浴室,要了酒,然后“把它扔了回去”。他把腿浸湿了,坐了下来,看着肥皂在他的四肢和硬化的胸膛上像涓涓细流一样堆积起来,大腿上留下了一道箭形的伤疤,在狭窄的光线下,这使他想起了尤利西斯。没有东西是从不存在的东西中产生的。事物的整体一直都是现在这个样子。他的肾脏肿得像个气球那么大。身与空,扩大空。这死得痛快。过滤系统的电线突然破裂。灵魂机器破裂。这是另一种普通伤口的完美而可怕的模拟。约翰·詹姆斯是《挤奶时间》(Milkweed, 2019)的作者,该作品被亨利·科尔选为马克斯·里特沃诗歌奖得主,他还著有两本chapbooks,最近的一本是《冬天,Glossolalia》(Black Spring, 2022)。他的诗歌发表在《波士顿评论》、《凯尼恩评论》、《墨西哥湾沿岸》、《笔会诗歌系列》、《最佳美国诗歌》等杂志上。他的作品得到了面包面包环境作家会议、美国诗人学会和乔治城大学兰南诗学与社会实践中心的支持。他在哥伦比亚大学获得文学硕士学位,目前正在加州大学伯克利分校攻读英语博士学位。版权所有©2023明德学院
本文章由计算机程序翻译,如有差异,请以英文原文为准。