{"title":"The Beginning According to Mrs. God","authors":"Lily Greenberg","doi":"10.1353/ner.2023.a908944","DOIUrl":null,"url":null,"abstract":"The Beginning According to Mrs. God Lily Greenberg (bio) was a messof drool and semen and teeth.Leaves everywhere. Ginkgoes reekingthat rancid butter stink. And toad spawnplanted in the pores of mother's back.And blackhead birth. And hagfish slime. You who want the beginning to be clean as a word—but this was before words. In the beginning I was an eyecrusted over—each time I blinkedthe day and night drew closer together as ifhuddling around a fire. There was no light thenonly green water, glitteringclouds, that sleepy feeling of eyesclosed on a rock. No darkness but redwoodshade, caves of breath, no moon night. No seasons—just deathof organs to dirt to sprouts. In the beginning I was oneboar carcass and vultures andthousands of boars running. In the beginning I was a finchtossing finches out of the nest.Some became sky. Some turned to stone. [End Page 46] I know you want to fallfrom a first world of undivided light.I know you want to get back but I'm telling you—in the beginning we losteverything many times over,we died and died. Trust me— there's nothing to get back to. [End Page 47] Note: The phrase \"to fall from a first world of undivided light\" was closely inspired by a line from Robert Hass's poem \"Meditation at Lagunitas.\" Lily Greenberg Lily Greenberg is a poet from Nashville, Tennessee, and the author of In the Shape of a Woman (Broadstone Books, 2022). She holds an MFA from the University of New Hampshire and lives in Nyack, New York. Copyright © 2023 Middlebury College","PeriodicalId":41449,"journal":{"name":"NEW ENGLAND REVIEW-MIDDLEBURY SERIES","volume":"36 1","pages":"0"},"PeriodicalIF":0.1000,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"NEW ENGLAND REVIEW-MIDDLEBURY SERIES","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/ner.2023.a908944","RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERARY REVIEWS","Score":null,"Total":0}
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根据上帝夫人的说法
根据上帝夫人的说法,莉莉·格林伯格(传记)是一个流口水、精液和牙齿的混合体。叶子无处不在。银杏散发着腐臭的黄油臭味。蟾蜍在妈妈背上的毛孔里产卵。黑头出生。还有盲鳗黏液。你们想要头头洁净如言语,但这是在言语以前。一开始,我的眼睛紧紧地裹着,每眨一次眼,白天和黑夜就越来越近了,就像挤在火堆旁一样。那时没有光,只有碧绿的水,闪闪发光的云,闭着眼睛在岩石上昏昏欲睡的感觉。没有黑暗,只有红木的树荫,呼吸的洞穴,没有月夜。没有季节——只有器官的死亡,泥土和芽。一开始,我是一具野猪尸体,秃鹫和成千上万的野猪在奔跑。刚开始的时候,我是一只把雀从巢里扔出去的鸟。有些变成了天空。有的变成了石头。我知道你想从一个光不可分割的第一世界坠落。我知道你想回去,但我告诉你——一开始我们失去了很多次,我们死了又死了。相信我,没什么好纠结的。注:短语“从第一世界的不可分割的光中坠落”的灵感来自罗伯特·哈斯的诗“冥想在拉古尼塔斯”中的一句话。莉莉·格林伯格是一位来自田纳西州纳什维尔的诗人,著有《女人的形状》(Broadstone Books, 2022)。她拥有新罕布什尔大学艺术硕士学位,现居纽约尼亚克。版权所有©2023明德学院
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