Pavlik Morozov in Post-Soviet Reality (based on V. P. Krapivin's novel "The Bronze Boy)

Ol'ga Stanislavovna Sukhikh
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Abstract

The object of the analysis is V. P. Krapivin's novel "The Bronze Boy". The subject of the study is the representation of the image of Pavlik Morozov in this work. The purpose of the study is to identify the author's concept of the image and fate of Pavlik Morozov in the novel by V. P. Krapivin. The cultural-historical method of analysis allows us to see how the moment of the change of the country's political course was reflected in the literary text and determined the views of the hero of the past era. The method of holistic analysis helps to determine how the title of the novel and plot parallels contribute to the creation of the image of a child victim of socio–political struggle and cruelty of the world. The scientific novelty of the article is determined by the fact that the image of Pavlik Morozov in "The Bronze Boy" was not previously the subject of special study. The study leads to the following conclusions. V. P. Krapivin shows that Pavlik Morozov is not a traitor, but a victim of a clash of socio-political interests. In the past, his image was made a symbol of devotion to social values, and in the era of the 1990s, shown in the novel, he was again given the role of a symbol, but already negatively labeled. The deheroization of the image of Pavlik Morozov in the era of the 1990s is evidence of the moral failure of society, from the point of view of V. P. Krapivin. The analysis of the multidimensional meaning of the novel's title allows us to conclude that for the writer, the story of Pavlik Morozov has a universal character and this is due to the fact that adults sacrifice the interests of the child. In addition, this is the tragedy of a person who committed an act for high reasons, which from a formal point of view can be perceived as odious. In this regard, Pavlik Morozov in the figurative system of the novel has doubles, with which plot branches are connected, deepening the tragic beginning. The results of the study may have practical application in teaching Russian literature of the late twentieth century.
后苏联现实中的帕夫利克·莫罗佐夫(改编自v.p.克拉维文的小说《青铜男孩》)
本文以克拉维文的小说《青铜男孩》为分析对象。研究的主题是帕夫利克·莫罗佐夫在这部作品中的形象表现。本研究的目的是确定作者对v·p·克拉维文小说中帕夫利克·莫罗佐夫的形象和命运的概念。文化-历史的分析方法使我们看到,国家政治进程的变化的时刻是如何反映在文学文本中,并决定了过去时代英雄的观点。整体分析的方法有助于确定小说的标题和情节的相似之处如何有助于创造一个遭受社会政治斗争和残酷世界的儿童的形象。这篇文章在科学上的新颖之处在于,《青铜男孩》中的帕夫利克·莫罗佐夫(Pavlik Morozov)形象之前并不是专门研究的对象。研究得出以下结论。v·p·克拉维文表明,帕夫利克·莫罗佐夫不是叛徒,而是社会政治利益冲突的受害者。在过去,他的形象是献身于社会价值的象征,在小说中表现的90年代,他再次被赋予了象征的角色,但已经被贴上了负面的标签。从v·p·克拉维文的观点来看,20世纪90年代帕夫利克·莫罗佐夫形象的去英雄化是社会道德失败的证据。通过对小说标题的多维意义的分析,我们可以得出结论,对于作者来说,帕夫利克·莫罗佐夫的故事具有普遍性,这是因为成年人牺牲了孩子的利益。此外,这是一个人出于崇高的理由而采取行动的悲剧,从正式的角度来看,这可能被认为是可恶的。在这方面,帕夫利克·莫罗佐夫在小说的比喻体系中有双重角色,与之相连的情节分支,加深了悲剧的开端。研究结果对二十世纪末俄罗斯文学教学具有实际应用价值。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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