Tatsuno architectural style in Manchuria

Q2 Arts and Humanities
Dmitry Tceluiko, Tatiana Smolianinova
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引用次数: 0

Abstract

The main goal of the article is to study the transformation of the style of banking and consular institutions in Manchuria in comparison with its Japanese counterparts. The first part of the work provides an introduction and indicates the relevance of the topic. The author of the architectural style of tatsuno is the architect Kingo Tatsuno. The article carries out an analysis of his creative path and identifies his main buildings, which later formed into a separate style. The continuity of tatsuno to the German Renaissance is shown, the main elements of the style are revealed. Most of the Japanese buildings were concentrated in the southeast of the region, in the cities of Dalian, Yingkou, Shenyang, Tieling and Changchun. Five banks and four tatsuno-style consulates have been identified. The work shows a detailed architectural analysis with the identification of classical and non-traditional elements within the style. The conclusion section summarizes the data obtained and shows the Russian influence on some Japanese buildings.
满洲的建筑风格
本文的主要目的是研究与日本相比,满洲银行和领事机构风格的转变。工作的第一部分提供了一个介绍,并指出了主题的相关性。“辰野”建筑风格的作者是建筑师辰野京吾。文章分析了他的创作路径,并确定了他的主要建筑,这些建筑后来形成了一个独立的风格。展示了兴野与德国文艺复兴时期的连续性,揭示了这种风格的主要元素。大部分日本建筑集中在该地区的东南部,大连、营口、沈阳、铁岭和长春等城市。已经确定了五家银行和四家tatsuno风格的领事馆。该作品展示了详细的建筑分析,并在风格中识别了古典和非传统元素。结论部分总结了所获得的数据,并展示了俄罗斯对一些日本建筑的影响。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Project Baikal
Project Baikal Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.40
自引率
0.00%
发文量
94
审稿时长
13 weeks
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