Zukunftsermittlung im Barockdrama

IF 0.2 3区 文学 0 LITERATURE, GERMAN, DUTCH, SCANDINAVIAN
Katharina Worms
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引用次数: 0

Abstract

Abstract This article deals with knowledge of the future in German drama of the 17 th century. Within eight case studies the author focusses on scenes of predictions from Jacob Bidermanns Cenodoxus (1602, dt. 1635) to Christian Weises Marschall von Biron (1687). Open models of the future exist side by side with a deterministic understanding of time. However, also contemporary events play a role in the dramas, but they are not emphasized as present.
巴洛克时期的作品
摘要本文探讨17世纪德国戏剧对未来的认识。在八个案例研究中,作者将重点放在Jacob Bidermanns Cenodoxus (1602, dt)预言的场景上。1635年)致克里斯蒂安·魏斯·马歇尔·冯·拜伦(1687年)。开放的未来模型与对时间的确定性理解并存。然而,当代事件也在戏剧中发挥作用,但它们没有被强调为现在。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
DAPHNIS-ZEITSCHRIFT FUR MITTLERE DEUTSCHE LITERATUR
DAPHNIS-ZEITSCHRIFT FUR MITTLERE DEUTSCHE LITERATUR LITERATURE, GERMAN, DUTCH, SCANDINAVIAN-
CiteScore
0.30
自引率
0.00%
发文量
20
期刊介绍: Der "Daphnis" ist als Organ für die Erforschung der deutschen und neulateinischen Literatur vom Ausgang des 14. Jahrhunderts bis zur Mitte des 18. Jahrhunderts konzipiert worden. Er berücksichtigt darüber hinaus unter komparatistischem Aspekt auch die Beziehungen der Mittleren Deutschen Literatur zu den europäischen Literaturen dieses Zeitraums und widmet sich Problemen der frühneuhochdeutschen und neulateinischen Sprache.
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