An Interview with Debra Bricker Balken and Lynn Gumpert, curators of Americans in Paris: Artists Working in Postwar France, 1946-1962 (Grey Ar

IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY
Miranda Pub Date : 2023-10-16 DOI:10.4000/miranda.57115
Lara Cox
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引用次数: 0

Abstract

Projected to open in February 2024 at the Grey Art Gallery of NYU, Americans in Paris: Artists Working in Postwar France, 1946-1962 examines the work of approximately seventy artists who lived in Paris for a period during the two decades following World War II. The following is the first of a two-part interview with the show’s curators, Debra Bricker Balken and Lynn Gumpert. In this first part, the organizers discuss the relationship of Americans in Paris to other shows, their research process, and the critical choices and layout decisions they made during the conception phase of the exhibition. As this interview reveals, the curators aimed to challenge the assumption that all art of the period fell under the rubric of “Abstract Expressionism” (or the “New York School”). The exhibition and its accompanying three-hundred-page catalogue showcases instead the diversity of US art genres and artists emerging from Paris during the period.
《美国人在巴黎:战后法国艺术家,1946-1962》策展人黛布拉·布里克尔·巴尔肯和林恩·冈珀特访谈
“美国人在巴黎:战后法国的艺术家,1946-1962”展览预计将于2024年2月在纽约大学的格雷美术馆开幕,展览将展出大约70位艺术家的作品,这些艺术家在二战后的20年里曾在巴黎生活过一段时间。以下是对展览策展人黛布拉·布里克·巴尔肯和林恩·冈珀特的两部分采访中的第一部分。在第一部分中,组织者讨论了在巴黎的美国人与其他展览的关系,他们的研究过程,以及他们在展览构思阶段做出的关键选择和布局决定。正如这次采访所揭示的那样,策展人的目的是挑战那个时期所有艺术都属于“抽象表现主义”(或“纽约学派”)的假设。这次展览及其附带的300页目录展示了美国艺术流派的多样性,以及这一时期巴黎涌现的艺术家。
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来源期刊
Miranda
Miranda HUMANITIES, MULTIDISCIPLINARY-
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82
审稿时长
40 weeks
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