This is not ‘interesting’ research: Authentically Co-Creating Participatory Action Research in UK’s Post-Covid Culture Industries

Amit Rai, Will Esselfie
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Abstract

Abstract This essay explores methodological, ethical, and practical aspects of authentically co-creating participatory action research (PAR) in post-Covid 19 participatory arts contexts in the UK. It analyses the limits and possibilities of PAR methods into leadership pathways in the UK’s arts and culture sector. In critical dialogue with decolonial and intersectional frameworks that seek to challenge and transform institutionalised privilege in the wake of the Covid pandemic, we investigate the financialisation of participatory strategies of cultural co-creation, with a particular focus on questions of racial and class dynamics in the arts. This essay develops a decolonial political ontology of PAR through a critique of both authenticity and its financialisation in participatory action research projects. Drawing on recent critical analyses of ‘post-extractivism’ and ‘co-creation’ in participatory research, we suggest that the recent financialisation of ‘impactful’ participation is an increasingly important but neglected ‘matter of concern’ for critical PAR methodologies.
这不是“有趣”的研究:英国后疫情文化产业中真正的共同创造参与性行动研究
本文探讨了英国后covid - 19参与式艺术背景下真正的共同创造参与式行动研究(PAR)的方法、伦理和实践方面。它分析了PAR方法在英国艺术和文化部门的领导途径中的局限性和可能性。在与非殖民化和交叉框架的关键对话中,在新冠肺炎大流行之后,我们试图挑战和改变制度化的特权,我们研究了文化共同创造的参与性战略的金融化,特别关注艺术中的种族和阶级动态问题。本文通过对参与性行动研究项目的真实性及其金融化的批判,发展了PAR的非殖民化政治本体论。根据最近对参与性研究中的“后提取主义”和“共同创造”的批判性分析,我们认为,对于关键的PAR方法来说,最近“有影响力的”参与的金融化越来越重要,但却被忽视了。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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