Violinmaking Apprenticeship: A Qualitative Investigation of Learning as Embodied Familiarization

Isaac W. Calvert, Melissa Noel Hawkley, Samantha Swift
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Abstract

This case study examines Yanchar, Spackman, and Faulconer’s “Learning as Embodied Familiarization” (hereafter LAEF) framework in the case of a violinmaking apprenticeship. Its purpose is to critically examine each facet of the LAEF framework as manifest in the lived experience of both master and apprentice. While previous studies investigating this framework have used various qualitative and hermeneutic methodologies, none have done so from a prolonged, ethnographic perspective. This perspective comes from an immersive autoethnography in which I apprenticed under a master violinmaker in an informal, one-on-one workshop environment for six months working four to five days a week for three to four hours each day. By analyzing fieldnotes, interviews, artifacts and video recordings of work sessions, this article situates each facet of the LAEF framework in this lived experience of apprenticeship learning and explores its insights and limitations within this specific case. Findings show that LAEF provides a robust lens through which one may consider human learners as agents, meaningfully engaged in their own learning, where making deliberate choices when presented with unfamiliarity allows them to explore, gain experience, and become in the learning process.
小提琴制作学徒制:学习作为具身熟悉的质性调查
本案例研究考察了扬查尔、斯帕克曼和福克纳在小提琴制作学徒过程中提出的“作为具体熟悉的学习”(以下简称LAEF)框架。其目的是批判性地检查LAEF框架的每个方面,这些方面体现在师傅和学徒的生活经验中。虽然以前的研究使用了各种定性和解释学方法来调查这个框架,但没有一个是从长期的民族志角度来研究的。这种观点来自于一种身临其境的自我民族志,我在一个非正式的、一对一的工作坊环境中,在一位小提琴大师的指导下当了六个月的学徒,每周工作四到五天,每天工作三到四个小时。通过分析现场记录、访谈、工件和工作会议的视频记录,本文将LAEF框架的每个方面置于学徒学习的生活经验中,并探讨其在该特定案例中的见解和局限性。研究结果表明,LAEF提供了一个强大的视角,通过它,人们可以将人类学习者视为代理人,有意义地参与自己的学习,在不熟悉的情况下做出深思熟虑的选择,使他们能够探索、获得经验,并融入学习过程。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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