‘Many a story is but a crooked way to the truth’?

Elizabeth Braithwaite
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Abstract

The myth of King Arthur has been used for many purposes. In post-disaster fiction for young adults, the Arthurian myth has been drawn upon by a number of authors to advocate unity and equality as major factors in creating a just and peaceful world. This article focuses on seven texts set after major global disaster caused by human action has devastated, or is threatening to devastate, the world of the implied present-day reader. The texts for discussion are Ron Langenus’ Merlin’s Return; Janice Elliott’s The King Awakes and The Empty Throne; and Pamela Service’s Winter of Magic’s Return, Tomorrow’s Magic, Yesterday’s Magic, and Earth’s Magic. Although King Arthur is portrayed differently by the three authors, he is presented as a figurehead of unity and peace in all of the texts, and the texts all transpose contemporary values held by the implied author and the implied reader onto what the texts present as ‘King Arthur’s time’, in order to suggest that greed, selfishness, and lust for power contributed to the destruction of King Arthur’s society, and are also threatening to destroy the world of the implied reader. Drawing upon Foucault’s concept of the regime of truth, this article demonstrates that the forms of the Arthurian myth used in the texts for discussion are, however, inherently gendered and nationalistic, and thus subvert the ideas of equality and unity that the texts seek to present.
许多故事都是通向真理的曲折之路?
亚瑟王的神话被用于许多目的。在针对年轻人的灾后小说中,亚瑟王的神话被许多作者引用来提倡团结和平等,作为创造一个公正与和平世界的主要因素。这篇文章的重点是七个文本设定在人类行为造成的重大全球灾难已经摧毁,或正在威胁摧毁,暗示当今读者的世界。讨论的文本是罗恩·朗格纳斯的《梅林归来》;贾尼斯·艾略特的《国王觉醒》和《空王座》;以及帕梅拉·瑟维斯的《魔法回归的冬天》、《明天的魔法》、《昨天的魔法》和《地球的魔法》。尽管亚瑟王是描述三个不同的作者,他提出了一个傀儡的团结与和平在所有的文本,与文本所持有的所有转置当代值隐含作者与隐含读者在文本呈现的“亚瑟王的时代”,为了表明,贪婪,自私,和对权力的欲望导致了破坏亚瑟王的社会,并威胁要摧毁世界的隐含读者。根据福柯的真理政权概念,本文论证了文本中用于讨论的亚瑟王神话的形式,然而,本质上是性别和民族主义的,从而颠覆了文本寻求呈现的平等和统一的观念。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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