Negotiating Authenticity and Social Identity: Rural Women's Engagement With Müge Anlı ile Tatlı Sert

IF 0.9 Q3 COMMUNICATION
Miriam Berg
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引用次数: 0

Abstract

This study examines the perceptions of authenticity among rural women in the village of Büyükkarabag, located in western Türkiye, in their engagement with the popular Turkish television program Müge Anlı ile Tatlı Sert (commonly known as the Müge Anlı Show). Drawing on social identity theory, the paper explores the concept of authenticity and its connection to local values and beliefs, including class, gender roles, honour, and family values. Ethnographic methods such as informal conversations, structured and unstructured interviews, and participant observations were employed to gain insights into the experiences of 40 adult women villagers during the summer and autumn of 2022. The findings of this study reveal that rural women, spanning different generations, perceive authenticity in their engagement with the Müge Anlı Show through the lens of their local values and beliefs. The show and its host are regarded as providing a voice to the voiceless, and upholding conservative Turkish values, with acts such as crime, adultery, and other illicit behavior seen as indicators of moral decay. However, there are notable generational differences in how authenticity is interpreted. Younger women view the show as challenging societal norms and addressing broader social issues, while older women emphasize the show's role in exposing societal wrongs and reinforcing traditional gender roles.
协商真实性与社会认同:农村妇女与农村妇女的交往
本研究考察了位于土耳其西部基耶西部的b yy kkarabag村的农村妇女在参与土耳其流行电视节目《m ge anlyi ile tatlyi Sert》(俗称《m ge anlyi Show》)时对真实性的看法。借助社会认同理论,本文探讨了真实性的概念及其与当地价值观和信仰的联系,包括阶级、性别角色、荣誉和家庭价值观。采用非正式谈话、结构化和非结构化访谈以及参与者观察等民族志方法,深入了解了40名成年女性村民在2022年夏秋两季的经历。本研究的结果表明,不同世代的农村妇女通过其当地价值观和信仰的视角,在参与葛安利秀时感知真实性。这个节目和它的主持人被认为是为没有发言权的人提供了一个声音,并维护了保守的土耳其价值观,犯罪、通奸和其他非法行为被视为道德败坏的标志。然而,在如何解释真实性方面存在显著的代际差异。年轻女性认为这部剧挑战了社会规范,解决了更广泛的社会问题,而年长女性则强调这部剧在揭露社会错误和强化传统性别角色方面的作用。
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来源期刊
CiteScore
2.90
自引率
11.10%
发文量
53
期刊介绍: The Journal of Communication Inquiry emphasizes interdisciplinary inquiry into communication and mass communication phenomena within cultural and historical perspectives. Such perspectives imply that an understanding of these phenomena cannot arise soley out of a narrowly focused analysis. Rather, the approaches emphasize philosophical, evaluative, empirical, legal, historical, and/or critical inquiry into relationships between mass communication and society across time and culture. The Journal of Communication Inquiry is a forum for such investigations.
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