Ṣâib-i Tebrîzî’nin Gazellerinde Yaşlılık ve Hırs

Güneş Muhip ÖZYURT
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Abstract

Ṣāʾib Tabrīzī is one of the most well-known figures of 17th century Persian poetry. He poems are considered typical examples in Indian Style, a poetry movement that was marked with the use of imagery that deviated from established norms of the past centuries. The purpose of this paper is to analyze Ṣāʾib’s imagery and show its differences and similarities with traditional imagery of classical Persian poetry. To this end, Ṣāʾib’s ghazal beyts that focus a particular subject, that is, greed in old age, are scrutinized. Elderliness was one of the recurring themes in Persian poetry even before Ṣāʾib so this topic is suitable for comparison. The review of Ṣāʾib’s beyts show that novel and surprising ideas do permeate his poetry and are a distinguishing feature of his style but in most cases his ideas are not entirely original. His innovation is based on taking metaphors from tradition and giving those metaphors new meanings that is not entirely detached from its former meaning. Ṣāʾib also uses unique imagery that is not seen in the works of any other poets but this happens very rarely. Hence, Ṣāʾib Tabrīzī’s poetry retains its connection with tradition and achieves freshness through this connection rather than representing a style that is completely cut off from past.
Ṣāib-i-Tabrīzī的格扎诗中的老年和雄心壮志
Ṣā是17世纪波斯诗歌中最著名的人物之一。他的诗被认为是印度风格的典型代表,印度风格是一种诗歌运动,其特点是使用了与过去几个世纪的既定规范不同的意象。本文的目的是分析Ṣā《尼卜》的意象,并指出其与传统波斯古典诗歌意象的异同。为此,Ṣā尼卜的ghazal诗集中在一个特定的主题,即老年的贪婪,被仔细审查。老年是波斯诗歌中反复出现的主题之一,甚至在Ṣā之前,所以这个话题是适合比较的。对Ṣā的评论表明,新颖和令人惊讶的思想确实渗透在他的诗歌中,是他的风格的一个显著特征,但在大多数情况下,他的思想并不完全是原创的。他的创新是基于从传统中提取隐喻,并赋予这些隐喻新的意义,而不是完全脱离其原有的意义。Ṣā尼卜还使用了独特的意象,这在任何其他诗人的作品中都没有看到,但这种情况很少发生。因此,Ṣā的诗歌保留了与传统的联系,并通过这种联系获得新鲜感,而不是代表一种与过去完全隔绝的风格。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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