One Never Knows

IF 0.4 4区 艺术学 0 ART
LEONARDO Pub Date : 2023-09-22 DOI:10.1162/leon_a_02451
Mihai Nadin
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引用次数: 0

Abstract

Abstract Understanding anticipatory action as undergirding the dynamics of life is the prerequisite for defining what art is. Its change over time reflects the fact that life is purposeful and escapes prediction. Explaining art from the perspective of means and methods involved in producing it, from a deterministic view, leads to circular reasoning: the conclusion (machine art is the future) is in the premise (machines can make art). This fallacy becomes evident in the context of the current infatuation with automation of artmaking (especially through AI), and even art evaluation. The role art plays in defining the human condition is no less significant than that of science, itself indebted to aesthetics in its expression.
谁也不知道
将预期行为理解为生命动态的基础是定义艺术的先决条件。随着时间的推移,它的变化反映了这样一个事实:生活是有目的的,无法预测。从生产艺术的手段和方法的角度来解释艺术,从决定论的角度来看,会导致循环推理:结论(机器艺术是未来)是前提(机器可以创造艺术)。在当前对艺术创作自动化(特别是通过人工智能)甚至艺术评估的迷恋的背景下,这种谬论变得明显。艺术在定义人类状况方面所起的作用并不亚于科学的作用,科学本身在表达上要感谢美学。
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来源期刊
LEONARDO
LEONARDO ART-
CiteScore
0.90
自引率
0.00%
发文量
139
期刊介绍: Leonardo was founded in 1968 in Paris by kinetic artist and astronautical pioneer Frank Malina. Malina saw the need for a journal that would serve as an international channel of communication between artists, with emphasis on the writings of artists who use science and developing technologies in their work. Today, Leonardo is the leading journal for readers interested in the application of contemporary science and technology to the arts.
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