Music for All: An Intervention Project in an Artistic School in Portugal

Davys Moreno, Júlia Azevedo, Bernardo Lima, Nicola Davanzo
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Abstract

In Portugal, in 2018, an action-research project began to find solutions so that children with cerebral palsy (CP) could learn music in Arts Education Programmes of Music (AEPM). When conducting the characterisation of the child with CP, which gave rise to the study, and a series of literature reviews to find out what has been done in this area, we came across several works related to different Accessible Digital Musical Instruments (ADMIs) which can be employed by users with different needs. In the present case of the child under study, two of these ADMIs were chosen and used because of the opportunities they offer: Netytar and Netychords. These instruments allowed the child to access an artistic school near their residence after the respective admission test. In the Intervention Project (IP), which lasted six months, we analysed how the entry process was carried out, so we qualitatively studied the music teachers' field diary records. This situation included several interviews and conversations with the educational community involved. More specifically, the following were analysed: (i) the process of the child's entry into the artistic school; (ii) the work done by the piano teacher in the first three months of the study; (iii) the curricular adaptations proposed by the music teachers (MTs) of the ensemble and music training class so that the child could fulfil the proposed objectives; and (iv) the arrangements and musical compositions adapted so that the child could fulfil the demands of the school programme. As a result, we noticed that the peers of the child with CP adapted much better to the participation processes in favour of inclusion than the adults involved, probably because among the adults there was fear in the face of a still unknown situation, as is the case of working with a child who accesses information and music teaching unusually. We also noticed the urgent need for specific training and supervision among all involved - MTs, operational assistants (OAs), and parents/guardians (PGs). We were faced with the need for training in minor details such as accompanying the child with CP to move and use the toilet. In other words, it is necessary to prevent and prepare, empowering those involved with a series of skills so that children with special needs can fully and actively participate in this type of education.
全民音乐:葡萄牙一所艺术学校的干预项目
2018年,在葡萄牙,一个行动研究项目开始寻找解决方案,使脑瘫儿童能够在音乐艺术教育计划(AEPM)中学习音乐。在对患有CP的儿童进行特征描述时,我们进行了一系列的文献回顾,以了解在这方面所做的工作,我们遇到了一些与不同的无障碍数字乐器(admi)相关的作品,这些乐器可以被不同需求的用户使用。在本例所研究的儿童中,选择并使用了其中两种admi,因为它们提供了机会:Netytar和Netychords。这些乐器允许孩子在各自的入学考试后进入住所附近的艺术学校。在为期半年的干预项目(IP)中,我们分析了入职过程是如何进行的,因此我们对音乐教师的实地日记记录进行了定性研究。这种情况包括与有关教育界的几次访谈和对话。更具体地说,分析了以下方面:(i)儿童进入艺术学校的过程;(ii)钢琴教师在学习的前三个月所做的工作;(iii)乐团及音乐训练班的音乐老师建议如何调整课程,使孩子能达致建议的目标;(iv)为使孩子能符合学校课程的要求而改编的编排和音乐作品。结果,我们注意到患有CP的孩子的同龄人比参与的成年人更适应参与过程,这可能是因为在面对未知的情况时,成年人会感到恐惧,就像与一个获取信息和音乐教学的孩子一起工作一样。我们还注意到,迫切需要对所有相关人员进行具体的培训和监督,包括医务人员、业务助理和家长/监护人。我们面临着一些小细节的培训需求,比如陪伴患有CP的孩子移动和使用厕所。换句话说,有必要预防和准备,赋予那些参与一系列技能的人权力,使有特殊需要的儿童能够充分和积极地参与这种教育。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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