Unleashing the potential of chaos: How music therapists and young people can engage chaos as a resource in short-term music therapy groups

IF 1.6 4区 医学 Q2 REHABILITATION
Helen Oosthuizen
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Abstract

Introduction Many music therapists propose that chaos, such as destructiveness and disintegration, could thwart music therapy group processes and should be minimised or resolved. From a paradoxical approach, however, chaos is understood as a transformative complement to ordered, formative music therapy experiences. The research in this paper explored how music therapists and adolescents could engage with chaos as a resource in music therapy groups.Method From a paradoxical approach, the music therapist--researcher facilitated two short-term group music therapy processes with nine young South Africans from under-resourced and often violent communities, referred for committing offences. The researcher utilised crystallisation, including constructivist grounded theory, participatory action research, and abduction, to analyse how group members could engage with chaotic group experiences. Findings, constructed through a cyclical process of data collection, analysis, and inclusion of group feedback, are presented in a matrix.Results The matrix shows how groups could utilise chaos to explore multiple possibilities for responding to challenges. They expressed themselves courageously and played unconventional group roles through their musicking and participation. They juggled paradoxical tensions between observational and active, integrative and disintegrative, engagement styles. This supported their transformation in the group, and potentially within the chaotic South African context.Discussion Music therapists can use the matrix to support adolescents in music therapy groups to engage with chaos as a transformative resource. They can accompany young people through offering holding, resources and collaborative support. When it is safe, music therapists may allow or encourage chaos that empowers adolescents to cope with challenges independently.
释放混乱的潜力:音乐治疗师和年轻人如何在短期音乐治疗小组中将混乱作为一种资源
许多音乐治疗师提出,混乱,如破坏性和解体,可能会阻碍音乐治疗小组的进程,应该尽量减少或解决。然而,从一个矛盾的方法来看,混沌被理解为对有序的、形成性的音乐治疗经验的一种变革性补充。本研究探讨了音乐治疗师和青少年如何在音乐治疗小组中将混乱作为一种资源。从一个矛盾的方法,音乐治疗师-研究人员促进了两个短期的团体音乐治疗过程,9名来自资源不足和经常暴力社区的南非年轻人因犯罪而被转到。研究人员利用结晶,包括建构主义扎根理论、参与性行动研究和绑架,来分析群体成员如何参与混乱的群体体验。通过数据收集、分析和包含群体反馈的循环过程构建的发现以矩阵形式呈现。结果矩阵显示了群体如何利用混乱来探索应对挑战的多种可能性。他们勇敢地表达自己,并通过音乐和参与扮演非传统的团体角色。他们在观察型和主动型、整合型和分裂型、参与风格之间的矛盾张力中徘徊。这支持了他们在集团中的转型,并可能在混乱的南非背景下进行转型。音乐治疗师可以使用矩阵来支持音乐治疗小组中的青少年将混乱作为一种变革资源。他们可以通过提供支持、资源和协作支持来陪伴年轻人。在安全的情况下,音乐治疗师可能允许或鼓励混乱,使青少年能够独立应对挑战。
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来源期刊
CiteScore
3.50
自引率
12.50%
发文量
45
期刊介绍: Nordic Journal of Music Therapy (NJMT) is published in collaboration with GAMUT - The Grieg Academy Music Therapy Research Centre (Uni Health and University of Bergen), with financial support from Nordic Board for Periodicals in the Humanities and Social Sciences and in co-operation with university programs and organizations of music therapy in the Nordic and Baltic countries. The Nordic Journal of Music Therapy serves the international community of music therapy by being an avenue for publication of scholarly articles, texts on practice, theory and research, dialogues and discussions, reviews and critique. Publication of the journal is based on the collaboration between the music therapy communities in the five Nordic countries of Denmark, Finland, Iceland, Norway and Sweden and the three Baltic Countries of Estonia, Latvia and Lithuania. This international but still regional foundation offers a platform for development of communication with the broader international community of music therapy. Scholars from all over the world are welcomed to write in the journal. Any kind of scholarly articles related to the field of music therapy are welcomed. All articles are reviewed by two referees and by the editors, to ensure the quality of the journal. Since the field of music therapy is still young, we work hard to make the review process a constructive learning experience for the author. The Nordic Journal of Music Therapy does not step aside from active engagement in the development of the discipline, in order to stimulate multicultural, meta-theoretical and philosophical discussions, and new and diverse forms of inquiry. The journal also stimulates reflections on music as the medium that defines the discipline. Perspectives inspired by musicology and ethnomusicology are therefore welcomed.
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