Susan’s Elusive Unreliability and Coetzee’s Existential Thinking in Foe

Yinqi Zhao
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Abstract

This paper explores the portrayal of Susan Barton as an unreliable narrator in J.M. Coetzee’s novel, Foe, and its implications on storytelling, authorial authority, and existential themes. Through a comprehensive analysis of Susan’s narrative, the paper delves into the dual interpretations of her (un)reliability and argues that Coetzee intentionally crafts her as an elusive unreliable narrator. Then this article examines the “re-deconstruction” achieved by Coetzee, which challenges traditional storytelling conventions and emphasises the underlying meaning conveyed by a story. It also tries to explore Coetzee’s philosophical contemplations of existence and contends that aligning with Sartre’s existential thinking, Coetzee discusses many concepts around freedom and existence. By incorporating existential reflections, the paper uncovers the consciousness and existence embedded in the narrative.
《苏珊的难以捉摸的不可靠性》与库切在《敌人》中的存在主义思考
本文探讨了j·m·库切的小说《敌人》中苏珊·巴顿作为一个不可靠的叙述者的形象,以及它对讲故事、作者权威和存在主义主题的影响。本文通过对苏珊叙事的全面分析,探讨了对她(不)可靠的双重解释,并认为库切有意将她塑造成一个难以捉摸的不可靠的叙述者。然后,本文考察了库切所实现的“再解构”,这种解构挑战了传统的叙事惯例,强调了故事所传达的潜在意义。本文还试图探讨库切对存在的哲学思考,并认为库切与萨特的存在主义思想一致,讨论了许多围绕自由和存在的概念。通过对存在主义的反思,揭示了叙事中蕴含的意识和存在。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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