Epilogue: What Counts as Deep Learning in Korean Studies?

IF 0.3 0 ASIAN STUDIES
Wayne de Fremery
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It is uncomfortably simple: copies and practices related to copying are foundational infrastructure in the humanities, digital or otherwise, as practiced in Korean studies (and elsewhere). That is, as the articles in this special section demonstrate, a great deal of what we do as Koreanists and humanists concerns copying. Learning, especially the kind we call deep, is formulated through interactions with and as a function of producing copies. A corollary to this hypothesis, one that I will take up briefly in my conclusion, is that bibliography, that old discipline which can never quite [End Page 300] decide if it is an art or a science, provides tools for counting and considering copies, as well as doing the generative work of copying and making people, places, and things count. Bibliography can help us to think about copies, how we count them and make them count, as well as how we use them to learn. If anything, my meditation suggests an attention to the material objects and processes that formulate some of the infrastructures that support our work as Koreanists and as humanists helps situate us in our community and among others. My hope is that this situational awareness will be useful as we collectively consider the tremendous contributions made by the authors presented in this volume, as well as the ways that we might support and extend their work. Korean Studies Benedict Anderson has made the case that nations can, at least in part, be understood as opportunities for individuals to imagine themselves as part of a community.1 He identifies a material mechanism that facilitates this kind of imaginative process: print capitalism, especially the production of newspapers. Implicit in Anderson's analysis is the idea that engagements with copies created with fidelity at regular intervals and at industrial scale can enable individuals to collectively imagine national communities. Korean studies, I've come to think, can be understood in a similar way, as an imagined community. Rather than daily newspapers, copies of journals like this one allow us to image a community of people who share an interest in the contested ideas and geographies that formulate and are formulated by Korea. Similarly, and perhaps more pertinent to this special section of Korean studies, Korean studies is supported and shaped, I would suggest, by shared practices of copying and considering copies. The deep learning displayed by the essays here is a prime example. Despite their disciplinary diversity—a diversity not dissimilar to the eclectic news items of Anderson's community building mechanism—the research in each is premised on and supported by the collection, creation, and consideration of digital representations of historical phenomena: i.e. digital copies. The digital materiality of these copies and their similarity to the phenomena they copy facilitate the arguments about Korea. This obvious fact helps to make plain how copies serve as infrastructure for the kind of learning displayed by these articles. The digital copies, the specifics of their materiality, together with the creativity and insightfulness of the authors, help to formulate what [End Page 301] could be asserted about Korea and what we, as readers, can learn. And indeed we learn so much! Just as copies produced with clay, bamboo, stone, or paper have powerfully shaped (and continue to shape) what can be formulated as knowledge, digital copies now powerfully contribute to formulating what can be known and learned. 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引用次数: 0

Abstract

EpilogueWhat Counts as Deep Learning in Korean Studies? Wayne de Fremery (bio) What counts as deep learning in Korean studies? Certainly, what appears in this special section. How then might these articles help us to think about Korean studies and deep learning? This is a usefully tricky question. The phrase deep learning has become an important double entendre in our time, suggesting both artificial forms of "intelligence" and deeply engaged forms of human knowing. What counts is similarly plural, entailing processes associated with counting (who or what does it) and its consequences, especially who and what are made to count (i.e. matter). The meaning of Korean studies is as usefully amorphous as ever. What follows is meditative rather than expository. A central hypothesis will hold my attention. It is uncomfortably simple: copies and practices related to copying are foundational infrastructure in the humanities, digital or otherwise, as practiced in Korean studies (and elsewhere). That is, as the articles in this special section demonstrate, a great deal of what we do as Koreanists and humanists concerns copying. Learning, especially the kind we call deep, is formulated through interactions with and as a function of producing copies. A corollary to this hypothesis, one that I will take up briefly in my conclusion, is that bibliography, that old discipline which can never quite [End Page 300] decide if it is an art or a science, provides tools for counting and considering copies, as well as doing the generative work of copying and making people, places, and things count. Bibliography can help us to think about copies, how we count them and make them count, as well as how we use them to learn. If anything, my meditation suggests an attention to the material objects and processes that formulate some of the infrastructures that support our work as Koreanists and as humanists helps situate us in our community and among others. My hope is that this situational awareness will be useful as we collectively consider the tremendous contributions made by the authors presented in this volume, as well as the ways that we might support and extend their work. Korean Studies Benedict Anderson has made the case that nations can, at least in part, be understood as opportunities for individuals to imagine themselves as part of a community.1 He identifies a material mechanism that facilitates this kind of imaginative process: print capitalism, especially the production of newspapers. Implicit in Anderson's analysis is the idea that engagements with copies created with fidelity at regular intervals and at industrial scale can enable individuals to collectively imagine national communities. Korean studies, I've come to think, can be understood in a similar way, as an imagined community. Rather than daily newspapers, copies of journals like this one allow us to image a community of people who share an interest in the contested ideas and geographies that formulate and are formulated by Korea. Similarly, and perhaps more pertinent to this special section of Korean studies, Korean studies is supported and shaped, I would suggest, by shared practices of copying and considering copies. The deep learning displayed by the essays here is a prime example. Despite their disciplinary diversity—a diversity not dissimilar to the eclectic news items of Anderson's community building mechanism—the research in each is premised on and supported by the collection, creation, and consideration of digital representations of historical phenomena: i.e. digital copies. The digital materiality of these copies and their similarity to the phenomena they copy facilitate the arguments about Korea. This obvious fact helps to make plain how copies serve as infrastructure for the kind of learning displayed by these articles. The digital copies, the specifics of their materiality, together with the creativity and insightfulness of the authors, help to formulate what [End Page 301] could be asserted about Korea and what we, as readers, can learn. And indeed we learn so much! Just as copies produced with clay, bamboo, stone, or paper have powerfully shaped (and continue to shape) what can be formulated as knowledge, digital copies now powerfully contribute to formulating what can be known and learned. This special section is thus a marker in...
后记:韩国研究中的深度学习是什么?
后记:韩国研究中的深度学习是什么?韩国学的“深度学习”是什么?当然,在这个特殊的部分出现的东西。那么,这些文章如何帮助我们思考韩国研究和深度学习呢?这是一个非常棘手的问题。在我们这个时代,“深度学习”这个词已经成为一个重要的双关语,既暗示了人工形式的“智能”,也暗示了深度参与的人类认知形式。What counts同样是复数形式,包括与计数相关的过程(谁或什么做了这件事)及其结果,尤其是谁和什么被制造出来计数(即物质)。韩国研究的意义一如既往地无定形。接下来的内容与其说是说明性的,不如说是沉思性的。一个中心假设会吸引我的注意力。它简单得令人不安:复制和与复制相关的实践是人文学科的基础设施,无论是数字的还是其他形式的,就像韩国研究(以及其他地方)所做的那样。也就是说,正如本专题的文章所展示的那样,作为韩国学者和人文主义者,我们所做的很多事情都与抄袭有关。学习,尤其是我们所谓的深度学习,是通过与他人的互动而形成的,也是一种复制的功能。这个假设的一个推论,我将在我的结论中简要地提到,就是目录学,这个永远不能完全决定它是一门艺术还是一门科学的古老学科,提供了计算和考虑副本的工具,以及复制和使人,地点和事物计数的生成工作。参考书目可以帮助我们思考副本,我们如何计算它们并使它们计数,以及我们如何利用它们来学习。如果有什么区别的话,我的冥想建议关注物质对象和过程,这些物质对象和过程形成了一些基础设施,这些基础设施支持我们作为韩国人和人文主义者的工作,帮助我们在我们的社区和其他人中定位。我希望,当我们共同考虑本书作者所作的巨大贡献,以及我们可能支持和扩展他们工作的方式时,这种态势感知将是有用的。本尼迪克特·安德森(Benedict Anderson)认为,至少在某种程度上,国家可以被理解为个人把自己想象成一个社区的一部分的机会他指出了一种促进这种富有想象力的过程的物质机制:印刷资本主义,尤其是报纸的生产。在安德森的分析中,隐含着这样一种观点,即与定期以工业规模忠实地创造的复制品接触,可以使个人集体想象国家社区。我认为,韩国研究也可以用类似的方式来理解,作为一个想象中的共同体。与日报不同,像这样的期刊可以让我们想象一个社区,人们对形成和正在形成韩国的有争议的思想和地理有共同的兴趣。同样地,或许与这个特殊的韩国研究部分更相关的是,我认为,韩国研究是通过共同的复制和考虑复制的实践来支持和塑造的。文章中展示的深度学习就是一个很好的例子。尽管它们的学科多样性——这种多样性与安德森社区建设机制的折衷主义新闻项目没有什么不同——但它们的研究都是以收集、创造和考虑历史现象的数字表现为前提和支持的:即数字副本。这些复制品的数字物质性及其与它们所复制的现象的相似性促进了关于韩国的争论。这一显而易见的事实有助于清楚地说明副本是如何作为这些文章所展示的学习的基础设施的。这些数字副本,它们的材料细节,以及作者的创造力和洞察力,有助于形成关于韩国可以断言的东西,以及我们作为读者可以学到的东西。我们确实学到了很多!就像用粘土、竹子、石头或纸制作的复制品有力地塑造了(并将继续塑造)可以被表述为知识的东西一样,数字复制品现在有力地促进了可以被理解和学习的东西的形成。因此,这个特殊的部分是……
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来源期刊
Korean Studies
Korean Studies ASIAN STUDIES-
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