Representing the Phlegm: the Portrait of the Phlegmatic in Cesare Ripa’s Iconology

IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY
Magdalena Koźluk
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引用次数: 0

Abstract

This article is the second in a series of works which aims to contribute to documenting the success of the medical theory of individual complexions, derived from the theory of the four humours, through the major work which constitutes the Iconologia of the Italian humanist Cesare Ripa (1555–1622). We analysed here the figure of the phlegmatic and undertook to determine the reasons which governed the choice of the attributes retained by Ripa (portliness, pallor of the skin, coat in badger furs, tilted head and girded with a black headband, turtle) to offer poets, painters and sculptors the archetype of a character dominated by cold and damp phlegm. To this end, we have been interested in the medical and iconographic sources on which the author was able to rely and have tried to identify the attributes which are part of tradition and those which testify to an inuentio of the author in the iconographic art.
代表痰:切萨雷·里帕的肖像学中的痰者肖像
本文是一系列作品中的第二篇,旨在通过构成意大利人文主义者Cesare Ripa(1555-1622)的Iconologia的主要作品,记录个人肤色医学理论的成功,该理论来源于四种幽默理论。我们在这里分析了痰的形象,并着手确定控制Ripa保留的属性选择的原因(肥胖,皮肤苍白,穿着獾毛,倾斜的头,用黑色的头巾缠着,乌龟),为诗人,画家和雕塑家提供了一个由寒冷和潮湿的痰主导的人物原型。为此,我们一直对作者能够依赖的医学和图像来源感兴趣,并试图确定传统的一部分属性和那些证明作者在图像艺术中的发明的属性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Studia Ceranea
Studia Ceranea HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.20
自引率
0.00%
发文量
10
审稿时长
22 weeks
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