Domesticating and Reinventing Identity and Space in Bharati Mukherjee’s Jasmine

Indrani Atul Borgohain
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Abstract

harati Mukherjee’s novel, Jasmine, discusses gender discrimination and Jasmine’s docile integration into a new culture. Mukherjee expresses the unpleasant realities of the immigrant diaspora, such as identity breakdown, homelessness, and displacement. In Indian patriarchal culture, where males are the narrators and voices are heard, women are blamed for a variety of traditions and rituals. The complicated social structure controlled by Indian patriarchal society, which may also be a significant driver of her economic well-being and therefore affect identity development, is one facet of the protagonist’s experiences. This limits the protagonist’s ability to express herself freely. Jasmine, the protagonist, challenges the concept of gender and reinvents her life to become more American by attempting to adopt a new identity in America. As Jasmine embarks on a voyage of self-discovery, each change in her personality is accompanied by a new moniker that a male character gives her. This article contends that Jasmine, the primary character, depicts a strong immigrant woman who battles marginalization in India and by mainstream white American culture and is compelled to move between identities. She bravely and tenaciously searches for a new self and identity in America until she discovers a way of living that fulfils her.
巴拉蒂·慕克吉《茉莉花》中身份和空间的驯化与重塑
哈拉蒂·慕克吉(harati Mukherjee)的小说《茉莉花》(Jasmine)讨论了性别歧视以及茉莉花温顺地融入新文化。慕克吉表达了移民散居的令人不快的现实,如身份崩溃、无家可归和流离失所。在印度的父权文化中,男性是叙述者,声音被听到,女性被指责为各种传统和仪式。由印度父权社会控制的复杂社会结构,可能也是她经济福利的重要驱动力,从而影响了身份的发展,这是主人公经历的一个方面。这限制了主人公自由表达自己的能力。主人公贾斯敏挑战了性别观念,通过尝试在美国接受新的身份,重塑了自己的生活,变得更像美国人。随着茉莉开始了自我发现的旅程,她个性的每一次改变都伴随着一个男性角色给她起的新绰号。本文认为,主人公贾思敏是一位坚强的移民女性,她在印度和美国主流白人文化中与边缘化作斗争,被迫在身份之间移动。她勇敢而顽强地在美国寻找新的自我和身份,直到她发现了一种让她满足的生活方式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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